Friday, January 21, 2011

South of Houston

Greetings from Houston! "Houston!?" you may well ask. It's not a city I know or have had any particular reason to visit. But a close New York friend has been here with her ailing mother, and someone needed to fly her nine-year-old daughter down to be with her for the weekend, and I was available (our Spring semester only starts Monday!), so here I am.
Getting here I've learned that, while you can't bring even a water bottle or a tube of toothpaste into an airplane terminal these days, you can take someone else's child to another state without anyone batting an eyelid. I'd been fretting. Surely someone would want to know why I was traveling with a little Ethiopian girl (and with a different surname)! Someone should want to know! Another of my best friends has worked for several years in Family Court in New York, and I've heard of many cases where a child was taken out of state - and beyond the reach of the State Courts - by an irate parent who had been denied custody or visitation rights. (Many of the "missing children" on milk cartons are in fact kidnapped by family.) Nothing can stop a car driving out of state, but I would have thought that at an airport (not least because of the vast apparatus of airport security) there would be some checks.

When I worried about this on the phone to my friend in Houston, she reassured me that children travel domestically without ID anyway; people would just assume I was her father. And in fact it went without a hitch. But I'm still unnerved. I'm glad we made it here, but it freaks me out that it should be have been possible.

Wednesday, January 19, 2011

Stars in my eyes

Met today with FM, an anthropologist of Aboriginal Australia. Since the acrylic painting movement in Aboriginal arts began among people he studied, the Pintupi, he's done important work not only on Aboriginal culture but also on the international phenomenon of Papunya painting. A great resource at my doorstep! Beyond citations and suggestions, I was hoping he'd tell me where one could go see Aboriginal arts in New York City: it's become clear to me that traditions as embodied as those of Aboriginal Australians can't be understood without at least some contact with or experience of concrete places or representations; I haven't been able to find reference to anything in NYC's museums and galleries.

I got lots of great citations and suggestions, but nothing on the local front. The nearest collection of Aboriginal art of any value is in Charlottesville! What to do? The more we talked, the more convinced I became that this class, of all classes, needs some shared lived experience with the object of study. I've already packed the first part of the class with images of Australian landscapes; just photos and video but I'd been counting on following up with actual painted representations of Dreamings with which we could share the space of a gallery at least (with the productive problems and ironies that entails). No such luck! What to do? You can't speak of concreteness in the abstract!

Then I was saved. As FM was showing me Howard Morphy's Aboriginal Art (London: Phaidon, 1998), a PostIt-marked page opened (298) with an image on it - tiny in comparison to the original's 372 x 171.4 cm, but plenty powerful: Yanjilypiri Jukurrpa (Star Dreaming), 1985. (Below: do click to make it at least a little bigger.) FM told me that a similar Milky Way painting by one of its three painters, Paddy Sims, is the subject of an interesting film I should be able to get my hands on. The art dealer/filmmaker David Betz had been fascinated but perplexed by Sims' description of his painting as depicting the "lifting up of the Milky Way," until he happened on an old photograph of a ritual in which a log wrapped in black materials was ceremonially lifted up by a group of men reenacting the work of the ancestors. (In desert Australia the Milky Way is perceived not as a stream of white but as the black shapes within a sky awash with stars.) Aha!

As FM recounted this, I had the same goose-bumpy epiphany Betz apparently describes (and FM had clearly had too). And I had my concrete lived landscape too.

Better, it's a piece of landscape we share not just vicariously in a gallery but in our own lives. It took me back to a night I spend sleeping under the Milky Way when I went on a group backpacking trip to King's Canyon, Kata Tjuta and Uluru (part of my trip by Ghan across the Red Center in June 2007). Here's how I described it in my diary at the trip's end:

Camping under the stars is a trip, though the flip side of a clear star-studded night is that it’s very cold; I think few of us slept well, as emerged when we slept far better the next, overcast and less frigid, night. The stars were not as bright and piercing as I’d expected from photos, perhaps because the half-moon was bright enough to illuminate things. When Scott [our guide] awoke us early next morning - five - well before the sunrise, the moon had set. I reveled in the Milky Way which is indeed so thick with star that you notice black spaces between the stars more than individual stars - Claire [another traveler] had been told by a guide on a tour she’d just completed in the Kimberley that Aboriginals saw a giant emu up there, and wasn’t it interesting that they look not at stars but at spaces between? It seemed entirely natural this night, perhaps also because I’m not trained to see constellations in this [the Southern] sky. Does the Milky Way always go from one horizon to another, and move slowly across the sky like a windshield wiper? (Actually, it rotates, as the films at the Desert Museum in Alice Springs showed.) I think it was too cold for deep thoughts for it wasn’t until later - and not the second night either, I think, but when I was thinking I should find a way to stay out under the stars a night in Kakadu until I thought of the bugs and the like there - that it occurred to me how radically different sleeping under the stars every night must be. Wherever you go, it’s the same sky - instead of having the same bed into which you flee from a harsh and indifferent world - you sleep in the sky, are cradled by it, rocked. What was that line about turning with the movement of the Milky Way from Yorro Yorro? If it’s safe to be exposed, then not sleeping under the stars seems like cutting yourself off from that grand embrace, like shutting yourself needlessly off from the most important sources of being. You’re at home there, it is your home. And not just because it’s the constant. Because one is so vulnerable when asleep, most open and trusting...

Not Bruce Chatwin, but good enough for me. Saved by a skyhook (take that, Dan Dennett!). And Yorro Yorro's already in the syllabus, too!

Tuesday, January 18, 2011

Mix up

Everyone hates "wintry mix" - a stew of freezing rain, snow and sleet. It certainly make for unpleasant walking - slush in all its slushy forms. But when you look up you sometimes see some lovely ice sculptures.

Monday, January 17, 2011

A bridge too far?

I'm working on the syllabus for my new course, "Aboriginal Australia and the Idea of Religion," which I'll be teaching along with "Exploring Religious Ethics" in the semester which begins next week. It's a course I proposed soon after returning from Australia in 2007, but it hasn't had to move from idea to practice before now. What was I thinking? Actually, I know what I was thinking: representations of Aboriginal culture play a decisive role in Durkheim's Elementary Forms, Freud's Totem and Taboo and Eliade's Sacred and Profane. Tracing their views to their sources, and comparing these in turn with more up to date studies, could shed light on the theory of religion, its history and the problems in its practice. We might learn something about Aboriginal traditions, too!

There's still a shadow of that rather too academic project in the current syllabus - we follow an account of the sacred pole of an Arrernte ancester named Numbakulla from the description in Spencer and Gillen's The Arunta: A Study of a Stone-Age People to Eliade, through critiques of Eliade's interpretation and appropriation, and back to understandings of Arrernde traditions today. But most of the course will be about Aboriginal traditions today, which can challenge many a received view of the nature of time and space, sacred and natural, etc., but are obviously worth exploring in their own right. But how teach that, especially as a novice in the field, and thousands of miles from the territories of the Dreaming? Quite a challenge not to pull an Eliade myself.

It's still a bit of a work in progress, the syllabus. Ethical and methodological questions will continue to be important, though different ones. Instead of seeing the modern Western interpreter simply as uncomprehending and exploitative colonist, we'll also be looking at the role of ethnographers and historians in chronicling traditions threatened by settler Australian culture - and reinvented in response to these threats. The picture's much more complicated and fascinating. In the making of the film "Ten Canoes," for instance (our topic for the first few classes), film-maker Rolf de Heer and the Yolngu community of Ramingining worked with photographs taken by ethnographer Donald Thomson in the 1930s in order to revive a forgotten tradition of goose egg hunting - and tell a new/old story.

Indeed, the relationship of scholars and Aboriginal traditions can be a highly politicized one, never more so than during the so-called Hindmarsh Island Bridge controversy in the 1990s, when some Ngarrindjeri women tried to stop the construction of a bridge connecting an island in the mouth of the Murray (they call it Kumarangk) to the mainland, on the basis of secret women's teachings that keeping those places apart was necessary to the survival of the Ngarrindjeri. As secret teachings, they could of course not be shared (though they were at one point represented by sealed envelopes at a hearing), and these women's claims were declared a "fabrication" by a Royal Commission (some other Ngarrindjeri women claimed never to have heard of the tradition), and the bridge was eventually built. During the hearings, anthropologists were accused of colluding with the women. Had not earlier scholarship shown that Ngarrindjeri culture lacked the codes of secrecy characteristic of many other Aboriginal peoples. And besides, women don't have sacred knowledge, do they?

How would one (who?) know?

The case is vastly more complicated than I can describe here, but know that a later report, in 2001, vindicated the Ngarrindjeri women's claim, and in July of last year, the South Australian state government recognized the authenticity of the "women's business." The picture at top (from here) is of Ngarrindjeri in a symbolic crossing of the bridge. Especially in light of Ngarrindjeri elder Tom Trevorrow's explanation - "We may use the bridge to access our land and waters but culturally and morally we cannot come to terms with this bridge" - this seems like a powerful image of the forced reinventions of Aboriginal traditions.

Some gaps are meant to stay unbridged. But in time, especially colonial and postcolonial time, nothing meant to stay apart is safe from being bridged. How do I teach without invidious bridge-building?

Saturday, January 15, 2011

Ghosts of Christmas past

Seems like I haven't been away that long - the streets are full of Christmas trees! I thought at first that they had been buried in the snowdrifts, and only just reappeared like Ötsi as the snow started to melt. The truth is a bit more prosaic: there wasn't room on the sidewalks to throw them out, or on the streets for the mulching trucks. But this is pleasing in its own way: the Christmas trees got to stay longer in people's apartments...

Friday, January 14, 2011

Back to Winter and man-made landscapes...

Thursday, January 13, 2011

Wave fantasia

The weaving of the waves on Torrey Pines State Beach, as seen near end of day from Yucca Point, with Purcell's 13th Fantasia for Viols, from my first CD. (This little four-arrow square at bottom right expands it to fill the screen.)

Wednesday, January 12, 2011

Succulents

I'm heading back to snow and cold tomorrow, so it seemed a good idea to stock up on desert warmth at the San Diego Botanic Garden today.
Sigh. And another eighty people a day die of gunshot wounds.

Tuesday, January 11, 2011

Site lines

Some highlights of the Stuart Collection of site-specific sculptures at UCSD. Robert Irwin's "Two Running Violet V Forms" (1983), whose translucent blue dances with the colorless color of the eucalyptus. (I didn't notice the blue UCSD bus when taking this picture!)

Nam June Paik, "Something Pacific" (1986):
television as part of the American landscape.

John Baldessari's entrance to Geisel Library, "Read/Write/Think/Dream" (2001): as students go in and out of a vestibule (with giant images of students, pencils, palm trees and surf), glass doors in primary colors slide back and forth (a little like the tide) to make more colors.

Alexis Smith, "Snake Path" (1992) leads up to Geisel Library;
from here, the library looks like a rattlesnake's rattle.

Bruce Nauman, "Vices and Virtues" (1988) wrap around this building. FAITH/LUST starts a series (alternating lights at night) which continues with HOPE/ENVY, CHARITY/SLOTH, PRUDENCE/PRIDE, JUSTICE/AVARICE, TEMPERANCE/GLUTTONY, and FORTITUDE/ANGER.

And coming later this year, atop a building facing the Nauman,the latest installation of Do Ho Suh's "Fallen Star."

Monday, January 10, 2011

Snow day(s)!

Guess I'll be in SoCal a bit longer... where there's been some snow too!

Sunday, January 09, 2011

Literate leaves

Went to the Botanical Building in Balboa Park with a visiting friend today, enjoying the warmth before we both head back to NYC.
(I go Tuesday.)
Is it because she's a librarian and we were talking texts that we stumbled on this tall fern with such bookish leaves (whose name, alas, we forgot to cite)?

Saturday, January 08, 2011

Christina Taylor Green, 9 years old. Another casualty of America's estimated 250,000,000 guns. She'd gone with a family friend to meet her local Congresswoman, who'd just read the First Amendment in the House's ritual reading of the Constitution and now lies near death. Did Arizona's and the country's poisonous political discourse lead the man who killed Christina and at least five others to his horrifying deed? Perhaps. But it is the gun that made the massacre possible. Sorrow, o America.

Friday, January 07, 2011

Doubling up

When waves ripple over waves

Thursday, January 06, 2011

Off with their heads!

I know it's not fashionable to praise the French Revolution anymore, at least not the way it used to be. But after finally seeing Charles Ferguson's documentary about the causes of the 2008 financial crisis, "Inside Job," I'm ready to get out the guillotines.

The film brings together many things I've more or less known about with some new stuff, but seeing them all at once is devastating. The greed, corruption, impunity and impenitence of an entire class!!! And both major parties in the financiers' pockets for thirty years now!!! (Obama named his new Chief of Staff today - straight from J. P. Morgan Chase.) Why are the Tea Partyers the only ones demonstrating in the streets?

What amazes me all over again: so many played their part in this - and so few of them have seen the error of their ways. I'm not just thinking of the "fat cats"; in a way it's too easy to focus on them, as it was too easy to focus on W during the years of Republican pillage. I'm thinking of the whole food chain from small-town lenders through ingenious alchemists of financial products to those who made billions betting on other's losses.

Ferguson reminds us that accountability is nowhere - nobody's been brought to justice, or even to trial. Beyond political failure, what about individual conscience? Has even one of the thousand Wall Streeters who've been receiving record bonuses sent it back? Has even one of the thousands of predatory lenders who set vulnerable people up for ruinous debt and foreclosure repented or tried to make amends? Have any even tried to explain what they thought they were doing, and why they thought - think - it justifiable? Some, indeed most, must have felt that what they were doing was acceptable, even commendable - not just making a killing but generating wealth and value. The great documentary "The Corporation" provides an account of why people lose their moral bearings when working for corporations. Ferguson doesn't go so deep - but maybe that's as deep as it goes with some of these folks.

That's ultimately what's most depressing. At a political and cultural level, it's paralyzing to see that an entire leadership class of exploiters remains unassailable. But at a moral level, a whole culture seems to have collapsed. Remember that rather eloquent speech I wished Obama would give, back in September '08? Its refrain was "we're better than this." The election of 2008 seemed to confirm that we could be. But twenty-eight months later, it's harder to believe. Where's the outrage? Do we expect no better? Or is that we can imagine no better, can't imagine even ourselves better?

Wednesday, January 05, 2011

Out of the blue

My Spanish relatives, who just flew home today, were amused at how excited we get at sunsets - and, especially, that my father and I leap to take pictures of them. Why do we? Hard to say. Perhaps if they'd seen tonight's, which offered pleasures to southwest, west, northwest- and above! - they'd understand. It was completed (as grace completes nature!) by the sudden appearance of the new moon. Earthshine
(which we've seen before on this blog) made it a perfect ring.

Tuesday, January 04, 2011

Horizontal, and vertical too?

I've just read rather a fascinating book. It's not just the subject matter - the lived tensions between varieties of Islam and Christianity (and some indigenous traditions) in Nigeria, Sudan, Somalia, Indonesia, Malaysia and the Philippines - though this eye- opening stuff is enough to make the book worth reading. It's also the way in which Eliza Griswold, a fearless poet turned investigative journalist, navigates this complex and often tragic terrain. (She interviewed some of the scariest people you'll ever read of over 7 years of research along the 10th parallel.) I take particular pleasure, as you'd expect, at her casual overturning of commonplaces, one especially: the main conflicts aren't between traditions but within them, especially as the newer forms of recent revivals challenge older forms.

The tenth parallel, as Griswold explores it, is overdetermined. The torrid zone of Aristotle (sort of), it is also where desert north Africa and its Islam were stopped by tsetse flies and marshes, where the developed but resource-poor Christian north of the Philippines meets the south. Trade winds shape climate, and climate past has generated reserves of petroleum. We tend not to think much about these parts of the world and their conflicts, let alone all at once.

Well, we don't. But I suspect one of Griswold's motivations for writing this book came from others who are very aware of it: American Evangelicals. I'm embarrassed I didn't know that a Brazilian evangelist named Luis Bush in 1990 described what he called the "10/40 window" - the area where the most unevangelized people in the world live (especially Muslims) - and that missionary-loving Evangelicals have been organizing missions, exchanges, education and prayer-interventions ever since. (The map above is from here.) Griswold has an intimate awareness of Evangelical projects and their opposition to liberal Protestantism: she's the daughter of Frank Griswold, who was Presiding Bishop of the Episcopal Church when Gene Robinson was elected bishop of New Hampshire. She gives an account of a brief flash of recognition with another "PK" (preacher's kid), Franklin Graham, son of Billy Graham, in her splendid 13th chapter, "Choose."

Christian missionaries, who've been in the tenth parallel area for over a century, are one of the factors in Griswold's story - just like assorted international jihads. But Griswold suggests that their versions of Christianity and Islam gain traction because of non-religious factors. [Fundamentalist] theologies — driven by narratives of good pitted against evil — graft easily to competition over land and resources. (35) Griswold is at her brilliant best in showing how historical, cultural, economic and climatic factors coalesce and compete with religious identities - and how individuals, families and communities are affected. None of these conflicts turns out to be as simple as it might at first appear. Don't suppose any intervention will have the intended consequences!

There's also a part of Griswold's project which fascinates me as a religious studies person - and in a more personal way too. On the personal level first, Griswold encounters and acknowledges forms of life in which religion plays a very different role than it does up here in the wealthy secular pluralistic West. Of Rebekka Zakaria, an Evangelical woman, imprisoned for setting up a school on Sundays for poor children in Indonesia, Griswold writes: Unlike Western Christians, she believed, who could afford to think about God only on Sundays, believers along the tenth parallel did not have the luxury of doubt, or of interpreting scriptures as anything but the infallible word of God. (188) While I wonder if Zakaria would have put it quite this way, I totally get what Griswold's describing.

This shades into my reaction as a religious studies person. To what extent can I, who live in the comfort of the pluralistic, doubt-luxurious West, even understand what the history of religion - and its present! - is really about? Can I even imagine what religion as a necessity, not a luxury, is? Or religion as "hierophany" - a term from Mircea Eliade which Griswold introduces to explain the power she felt as a child in her father's church, with its "book of spells," the Bible (117)? In Eliade's terms, hierophanies are sources of power, and quench our "thirst for being." They provide "orientation": a time and place to be, and ways to move in it.

My other religious studies response involves Griswold's expert integration of sociological, historical, etc. factors and explanations. Is hers then a secular account of religion? It doesn't mean to be, as her intriguing epilogue, which dares speak of "true religion," makes clear. With inspiring candor, Griswold reveals and reflects on her own way of understanding and explaining what she's encountered - and acknowledges something beyond it. This something eludes the sociological as well as the systematically theological. She tells of Reverend Abdu, a nomadic herder from Nigeria who converted to Christianity and has been preaching to his Fulani kin (recently converted to Islam from traditional African practices), all without special training, support - or results. Here are the book’s last four paragraphs:

Here I was on the tenth parallel with a man who had once been a Muslim and now was a Christian, who had spent his life preaching to his former kinsmen driven south by the need for water. Set against these simple facts, explanation failed. So much history and theology had been grafted onto the people of the tenth parallel over the centuries: the dramatic images of clashing civilizations and competing fundamentalisms; the demographics and big-picture analyses of the roles played by oil, weather, war, colonial interest, and clan conviction. All of these sought to explain Reverend Abdu and his like, and yet here he was before me, sheltering the gas flame and defying explanation — a man who believed what he believed for reasons that were mysterious even to him. He was not a foot soldier in a fundamentalist army or a statistic in some relief agency’s annual report; he was not in revolt against his government, nor was he waging a one-man protest against Western hegemony. He was a walking, talking hierophany, and he embodied the space where the horizontal, secular axis of the everyday intersected with the vertical, sacred world of God.

I had met many believers like him — those whose religious convictions were emphatic and elusive — and every time I thought I had them classified, they slipped out of my easy distinctions. That such people could accommodate conflicting worldly labels (evangelist, nomad, Muslim, and Christian in Reverend Abdu’s case) was a talent of postcolonial life, evidence of adaptation by people who have had many different categories foisted on them by outsiders. But it ws also born out of nearly fifteen hundred years of religious coexistence, of Christians and Muslims living together, and it had moved far beyond the binary divisions between Saved and Damned, Good and Evil, Us and Them.

Religious strife where Christians and Muslims meet is real, and grim, but the long history of everyday encounter, of believers of different kinds shouldering all things together, even as they follow different faiths, is no less real. It follows that their lives bear witness to the coexistence of the two religions — and of the complicated bids for power inside them — more than to the conflicts between them.

Reverend Abdu bore his several identities, and all their contradictions, in a single skin. It wasn’t relativism; his convictions went deeper than that. His was the experience of true religion, which is dynamic because it is alive. Such labels seemed ultimately unimportant to him because he did not belong to himself, or to this world, at all; he belonged to God. The identities that mattered to him told him not simply where he came from, but where, with God’s help, he was going. (281-82)

I'm not able to say what "true religion" is, at least not yet. But I suspect it's somewhere in the vicinity of this unchosen sense of belonging, a necessity beyond constraint and convention and closer to freedom and power, even in the most inauspicious everyday.

Eliza Griswold, The Tenth Parallel: Dispatches from the Fault Line
Between Christianity and Islam
(New York: Farrar, Straus & Giroux, 2010)


[On rereading this and seeing my caveats at Griswold's quotations, I guess I'm more ambivalent about the book than I wanted to be. It seems clear to me that Rebekka Zakaria could not have said what Griswold attributes to her - nobody is a literalist only because of necessity, and the imagination of doubt is already doubt. I wonder, too, if Reverend Abdu still thinks of himself as Muslim in any way. Griswold's grafting onto them descriptions which makes sense to us, indeed gratify us. I'm not saying that I could do better - where did the business about "freedom and power" come from, in my little swatch of nice religion at the end? But I'm suspicious... even as I understand and clearly share the thirst for a non-fundamentalist religious being which would lead a Griswold to find in an Reverend Abdu a hierophany. - Jan 5th]

Monday, January 03, 2011

Happy new year!

The animals of the San Diego coast join me in wishing you the warmth of the sun and of loved ones, interesting encounters with beings unlike yourself, and the courage to do your thing, whatever the herd thinks!

Sunday, January 02, 2011

Fluke

Whale watching, something of a New Year's tradition for us, is as unphotogenic an activity as it is exciting. The grey whales - if you're lucky enough to encounter them at all - rise to the surface to release a little cloud of vapor for three or four puffs, and then dive under for a few minutes, even more occasionally show some tail ("fluke!"). The excitement is all in scuttling from one side of the boat to another ("thar she blows, ten o'clock!") to see the knuckled back of one briefly appear... This time, despite brooding weather which sent us back to port early, we saw a few whales, a pod of dolphins (with some sea lions leaping along) and, most unusual for these parts, a mola mola (giant sunfish). The camera limps behind; I was lucky to catch the dolphin back, mola mola and whale puff, above. Most is left to the imagination - which, however, ranges widely along the long route of the whales' migration.

Saturday, January 01, 2011

It's a wrap.