Contact! Contact!

This mountain has knocked on my door three times in a week. At the very first panel I attended of the ISSRNC Mountains and Sacred Landscapes conference someone mentioned that Henry David Thoreau, otherwise so sanguine about living in harmony with nature, had had a "meltdown" on a mountain in Maine called Katahdin. Six days later, at our Spring Roundtable on "Literary Journalism and Religion," a colleague read passages from writings excerpted in the collection he uses as a text for his class, Jeff Sharlet's Radiant Truths: Essential Dispatches, Reports, Confessions, and Other Essays on American Belief. One was from Thoreau's account of that encounter in The Maine Woods (1864).

At length I entered within the skirts of the cloud which seemed forever drifting over the summit, and yet would never be gone, but was generated out of that pure air as fast as it flowed away; and when, a quarter of a mile farther, I reached the summit of the ridge, which those who have seen in clearer weather say is about five miles long, and contains a thousand acres of table-land, I was deep within the hostile ranks of clouds, and all objects were obscured by them. Now the wind would blow me out a yard of clear sunlight, wherein I stood; then a gray, dawning light was all it could accomplish, the cloud-line ever rising and falling with the wind's intensity. Sometimes it seemed as if the summit would be cleared in a few moments, and smile in sunshine: but what was gained on one side was lost on another. It was like sitting in a chimney and waiting for the smoke to blow away. It was, in fact, a cloud-factory, — these were the cloud-works, and the wind turned them off done from the cool, bare rocks. Occasionally, when the windy columns broke in to me, I caught sight of a dark, damp crag to the right or left; the mist driving ceaselessly between it and me. It reminded me of the creations of the old epic and dramatic poets, of Atlas, Vulcan, the Cyclops, and Prometheus. Such was Caucasus and the rock where Prometheus was bound. Æschylus had no doubt visited such scenery as this. It was vast, Titanic, and such as man never inhabits. Some part of the beholder, even some vital part, seems to escape through the loose grating of his ribs as he ascends. He is more lone than you can imagine. There is less of substantial thought and fair understanding in him, than in the plains where men inhabit. His reason is dispersed and shadowy, more thin and subtile, like the air. Vast, Titanic, inhuman Nature has got him at disadvantage, caught him alone, and pilfers him of some of his divine faculty. [5.8]

And then Friday night we went to see "Marsden Hartley's Maine" at the Met Breuer, and found these paintings of the same mountain, which Hartley had apparently decided was to be his Mont Sainte-Victoire.

Like Thoreau, Hartley referred to it as Ktaadn. I don't know if Hartley was familiar with Thoreau's Maine Woods. His Ktaadns are about distance where Thoreau's are about something more intimate:

This was that Earth of which we have heard, made out of Chaos and Old Night. Here was no man's garden, but the unhandselled globe. It was not lawn, nor pasture, nor mead, nor woodland, nor lea, nor arable, nor waste-land. It was the fresh and natural surface of the planet Earth, as it was made for ever and ever, — to be the dwelling of man, we say, — so Nature made it, and man may use it if he can. Man was not to be associated with it. It was Matter, vast, terrific, — not his Mother Earth that we have heard of, not for him to tread on, or be buried in, — no, it were being too familiar even to let his bones lie there, — the home, this, of Necessity and Fate. There was there felt the presence of a force not bound to be kind to man. It was a place for heathenism and superstitious rites, — to be inhabited by men nearer of kin to the rocks and to wild animals than we. We walked over it with a certain awe, stopping, from time to time, to pick the blueberries which grew there, and had a smart and spicy taste. Perchance where our wild pines stand, and leaves lie on their forest floor, in Concord, there were once reapers, and husbandmen planted grain; but here not even the surface had been scarred by man, but it was a specimen of what God saw fit to make this world. What is it to be admitted to a museum, to see a myriad of particular things, compared with being shown some star's surface, some hard matter in its home! I stand in awe of my body, this matter to which I am bound has become so strange to me. I fear not spirits, ghosts, of which I am one, — that my body might, — but I fear bodies, I tremble to meet them. What is this Titan that has possession of me? Talk of mysteries! — Think of our life in nature, — daily to be shown matter, to come in contact with it, — rocks, trees, wind on our cheeks! The solid earth! the actual world! the common sense! Contact! Contact! Who are we? where are we? [6.1]

Bordering on

A picture - in this case a map - truly is worth a thousand words.

Close encounters

Details from Chuck Close's mosaics in the 2nd Ave. Subway 86 St. station

Crossing over

Our Spring Roundtable was fun and illuminating. The theme was "Literary Journalism and Religion, the subject of a course we've offered twice and will be offering again in the Fall. S, the instructor of that class put together this panel which included a prize-winning writer and a graduating senior in Journalism + Design who took the latest iteration of the course. What is literary journalism? It's a kind of long-form journalism like the oxymoronic "creative non-fiction," research- and interview-based work which employs literary styles and structures in its writing, like "scenes." S thinks literary journalism and religion have a special affinity. Both involve a kind of "crossing over" from a more neutral, naturalistic level to something else, the realm of belief or religious experience. Literary journalism is better able than straight journalism or testimonial to capture the mystery of this crossing.

I'm excited at our program's exploration of affinities with journalism of various sorts, as I have been about past explorations with the creative arts. But I confess to being a little unnerved at literary journalism's arms's length distance from "facts." This evening's fascinating exchanges showed how deeply committed these writers are to their craft as well as to the objects of their writing, but there's none of the self-suspicion now standard in the interpretive human sciences. Or maybe that's taken for granted. J, who writes for the New York Times and has published a book about demon exorcism among veterans haunted by our wars in Iraq and Afghanistan, said that an "unreliable narrator" was key to her work. Unreliable yet still worthy of trust... it's an interesting approach to the humility which should attend any attempt to tell another's story. A genre which might otherwise seem to be part of our nihilistic post-fact landscape turns out instead to offer an antidote to it.

Floral!

Always remarkable, the Jefferson Market community garden's tulips.

Discover - Create - Inherit

This afternoon was the second annual Dean's Honor Symposium, where seven teams of students each had 45 minutes to share their work. That makes it sound more conventional than it was, however. Students were grouped in interdisciplinary clusters, and shepherded through the process of preparing a presentation by a faculty member from yet another discipline. The adventure of the liberal arts on display!

As part of DHS I've been meeting weekly with a student who wrote a senior thesis in Culture & Media on online and offline communities in the Kenyan diaspora, an Urban Studies major and dancer who interned with a community arts center in her native Brooklyn, and an Architecture and Philosophy BA/BFA student from China who produced a book of photographs and poems exploring changing experiences of home in China's rapidly changing cities. Amazingly rich and different projects! Forty-five minutes would barely be long enough to share all the interesting work of one of them! What to do?

My team put together an interactive presentation, which "mixed things up" by having each student pose questions to the others about shared issues arising from their work. (Hence the title "Discover-Create-Inherit.") At one point the audience is invited to participate in the same "shakedown" with which dance sessions at the Brooklyn community arts center started. And the globe above makes its way through the audience during the course of the presentation: all were encouraged to place stickers on places they consider "home," so the globe, restored to the center of the room at the end, brought audience and presenters together. Nice work! I'll have a picture of us for you soon!

Next year in Kailash-Manasarovar

Today was the last meeting of the Sacred Himalaya Initiative researchers, a final debrief after a conference within the larger ISSRNC conference. We've brought together fascinating material from Tibet, India, Nepal, which adds up to a distinctive portrait of the Kailash Sacred Landscape on several scales. We hope the papers can be brought together in a special focus for a journal. Guess who's to spearhead that editing work?

Over the mountains

The ICI-hosted ISSRNC conference "Mountains and Sacred Geography" was, like every big conference, a doozy. Going in I was frustrated, as at every event with parallel sessions, that there were so many things you'd have to miss, no matter what you chose. On top of that, I was committed to attending half a dozen Sacred Himalaya Initiative-related events. But now that it's over, and having attended pretty much full time starting at 8:30 each of the last three mornings, I'm glad there wasn't more of it! I think I'll be adding ISSRNC to my world in the future, if its meetings aren't too far away.

As for sacred mountains... I think I'm ready for a rest. The final panel I attended this afternoon included a paper refreshingly not about mountains. Indeed, the presenter remarked, her subject of swamps and marshes was something like the antithesis of the supposed clarity and enlightenment associated with mountains. When she argued that the idea of the "slough of despond" (swamps were associated in ancient and medieval Europe with acedia, the slothful vice of those who cannot turn to God) illuminated the paralysis of many regarding climate change, I had an aha moment. Mountains are a temptation, even a danger to ecological thinking, because they're imagined as breaks from - escapes from - the slog of the ordinary flatlands. They seem like self-contained worlds, connected more to the sky (and also perhaps the underworld) than to their surrounds. Marshes were avoided (and drained) for being neither solid land nor flowing water, but we now know how ecologically crucial wetlands are precisely because of that fecund messiness. The clarity of mountain perspectives, especially if they encourage distaste for swampy messiness, might offer false comfort.

That said, it was still loads of fun to be talking to people about Kailash. In my own remarks I bracketed the question of the antiquity of the kora to our Western Himalayan mount, discussing instead the contemporary appeal of the idea of a mountain sacred to many world religions, and proposing ways of deepening and complicating it for the yatris of the future. (My main suggestion: don't go around once, go twice!) Kailas cropped up in lots of other places, too, always mythicized, like in this image from someone's powerpoint, where it has the inverted cone shape of Meru!

Temple mounts

A part of the New School's Orozco mural I'd never really spent much time thinking about came to life for me today. As part of the ISSRNC conference, Ines Talamanez - mother of the field of Native American Religious Studies in the US - and her students presented a fascinating panel called "We Now Speak for Ourselves: Religious Aesthetics for Creating Ceremonial Space, Chanting, Singing, and Dancing in Defense  of Our Sacred Landscapes." At the end, attention turned to the part of the mural with the Yucatan pyramid. Look, said Talamantez, that's us. She had a loop of hair just like that when she was growing up.

Kailas darsan

You could see Kailas from The New School today! As the hosts of the ISSRNC conference on Mountains and Sacred Landscapes, India China Institute got to devote a plenary session to our Kailash project, and so seven of us yatris shared some of our experiences and takeaways from last year's trek/pilgrimage
Also on our panel was the director of the ICIMOD Kailash Sacred Landscape initiative, who dazzled us with this (too) charming map of the area, and then with a visualization of the various components of the initiative in the form of a mandala. It was nice to reconnect with people, remember our times together and learn where their thinking has taken them since. The audience got a nice view of our project, too.

Phafocity

One of the graduate students who led a discussion section for last semester's New School history course was part of a team of philosophy students who met with children recently at the Brookly Public Library. A writer for The New Yorker listened in:

Lemelin attempted to move the discussion forward conceptually. “Do you think I’m the same as I was when I was your age?” he asked. 

“You didn’t do phafosity—whatever it’s called—when you were younger,” a boy said. 

“When you were younger, you didn’t like mushrooms, and now you do,” someone offered. 

“Does liking mushrooms make me who I am?” Lemelin asked. “What makes me me?” 

“Look it up,” one boy replied.

You can find the article here. (Reminds me of that time when....)

Roundtable redux!

Postponed because of snow with a slight change of personnel, still an inspiring first airing of LREL's new exploration of the synergies between religious studies and journalism. Biery is a current student, who did sterling work in the course "Literary Journalism and Religion," taught by Korb, who directs our First Year Writing program, along with being a prolific author of books and articles, many on religion. Percy won the 2017 National Magazine Award for Feature Writing for her deeply affecting New York Times Magazine article on survivors of the 2011 tsunami in Japan.

Seed plot

One doesn't often find a record of how a seminar - a real seminar, not a lecture passive-aggressively elicited through socratic questioning - works, but I've happened on one. Abraham Luchins, a fellow professor, attended the seminars of Max Wertheimer, pioneering Gestalt psychologist and leader among the first refugee scholars of the University in Exile, from 1936 until Wertheimer's death in 1943, and reconstructed them from his verbatim notes decades later. I have to take his word for the accuracy of his notes, but what impresses and inspires was that he wrote down everything, from student interjections to what happened in discussions after class officially ended. And he recorded what wasn't said, too. Perhaps it takes a psychologist to notice the classroom dynamics in this way. Here's how he reconstructed the start of Wertheimer's seminar on problem solving and thinking.

Wertheimer soon gets them going - all the participant contributions are transcribed, too - but loses a number again when he pivots from the theoretical discussion about theory and experiment to two puzzles. Here's the first one. (Don't read on until you've tried to solve it.)

Did you figure it out? I confess I didn't, though I imagined her pushing the surface with her already kneaded dough around the tent pole with her hips. Awkward! Nobody in 1936 hazarded a response, either:
Ha! Well, I'm following his urging by passing it on to you. What say you?
But other students were more amenable, wondering, for instance, how children vs. adults would fare in such a predicament, or how results might vary if the story involved a different material than flour. Now we're talking! "These students, incidentally," Luchins observes tartly, "had not been undergraduate major in psychology." (Perhaps flour was important; Luchins frames his own account of what went on with the etymology of seminar as "seed plot." But the Mullah?)

Abraham S. Luchins and Edith H. Luchins, Wertheimer's Seminars Revisited:

Problem Solving and Thinking, vol. 1 (Albany, NY: Faculty Student Association,

State University of New York at Albany, Inc., 1970), 1, 9, 18, 19, iii

New colors (again)

Happy Easter!

Judas tree

Coming conference

Starting a week from today!

Repent

The Sacred Mountains class found itself in this strange place today. It was a bit of a gamble but I think it paid off. The picture is of an old forest cemetery (the hillock at upper left) which is now perched on an island in an Appalachian landscape transformed by mountaintop removal (MTR) mining. (We started by watching this conflicted depiction of the monstrosity of MTR, and then this footage of a "Blesssing of the Mountain," one asserting the value of seeing things from above, the other demonstrating the power of being there on the ground.)

Our reading was from Andrew R. H. Thompson's Sacred Mountains: A Christian Ethical Approach to Mountaintop Removal (University Press of Kentucky, 2015) - our only text explicitly Christian or concerned with ethics - and it's not easy going for people unfamiliar with that field. Predictably and understandably my students were put off by Thompson's assumption that his readers were fellow members of "the church." Most also couldn't fathom his argument for a "theocentric ethics" (based in the ideas of H. Richard Niebuhr), and for how it could prevent the "absolutization" of relative values which bedevils discussions of problems such as MTR. They assumed "theocentric" must mean claiming God for one's own position, rather than the decentering humility of accepting and trusting a God of all whose values one did not claim to understand. It being Holy Week I quite enjoyed laying out the idea that human "imaginations" even of values like justice and inclusion inevitably have blind spots, the pursuit of one's value inevitably bringing "disvalue" to some other; the only alternative is to own one's fallibility (I didn't use the s-word), to repent the disvalues one wittingly and unwittingly does and countenances, ideally in the presence of all affected: church as the matrix for a different kind of sociality. (I didn't get into christology.)

But what about MTR? Thompson gives few concrete suggestions (or rather, he thinks action should arise out of actual engagement in a locality, not reading about it) but it was fun to think with him what "mountain reclamation for God" might look like. We've often argued that mountains should be left alone, or returned to a presumed pristineness, then bellyached over the what and the how, the who and the why. Thompson's argument allows one to think beyond the artificial islands of "sacred mountains," just as it offers a transcendent reframing of relative values. For a moment it seemed like the consequence of setting aside a few special places for preservation, conservation - as sacred heritage - was not qualitatively different from leveling most of the mountains around Kayford, West Virginia but keeping Stover's Cemetery.

Destructive destruction

Tom Toles, always spot-on. It's terrifying to see the chaos candidate turn his fervid attention to foreign relations, and discover - after weeks of frustration in domestic questions - that there are foreign policy buttons he can press with impunity. Pray for Korea. Pray for us all.

Time warp

Five of our alums, from the classes of 2003 through 2013, shared what they've been up to since leaving Lang at our program's annual "Calling, Career, Commitment" event tonight. Over their accumulated thirty-five years as graduates they've done an astonishing number of things, deftly weaving together internships, further study, part- and full-time jobs, and small and large reinventions over periods of hardship, joblessness and triumph. Hard to think I could have mustered such agility!!

Poesie

I'd nearly forgotten the pleasures of German... I don't read German much, and it tends to be academic - what my teacher and friend V used to deride as "teutonic prose." But here's some limpidly lovely German, part of a poem written by playwright Carl Zuckmayer in 1939. (The full poem, for reading and hearing!) He taught at The New School 1939-42, one of the many granted refuge by the University in Exile. Mostly he taught at Erwin Piscator's Dramatic Workshop, but he also offered one course on "Humor in the Drama," also in 1939. What amazing legacies we have...

Benita Luckmann, "New School - Varianten der Rückkehr aus Exil und Emigration,"

Exil, Wissenschaft, Identität: Die Emigration deutscher Sozialwissenschaftler 1933-1945, ed. Ilja Srubar (Suhrkamp, 1988), 353

Duck

Our president is sending shock waves around the world as well as domestically. Here's some help from Down Under, from the wonderful sweetly mordant David Leunig (thanks to my sister for sending).

My turn

For the upcoming ISSRNC conference on "Mountains and Sacred Landscapes," hosted by our India China Institute, I will be part of a plenary panel sharing the findings of our Sacred Himalaya Initiative. Ten minutes isn't very long (for a speaker!) but I'm preparing a longer written version, too. It's called "First there is a mountain: Kailash beyond the world religions." What is it/am I going to say? Structured around a Zennish aphorism-turned popular song you've heard about before, it falls into the category of my writings which might be called "unsolicited advice."

First there is a mountain

I'll start by rehearsing the contemporary myth about a mountain in the Western Himalaya that has not only been an object of reverence and pilgrimage since time immemorial but is sacred to four great religions: it's regarded as the center of the universe by two billion people! This is a mind-boggling thing - you can imagine millions of tour operators salivating - but it is a myth. That mountain has only relatively recently been the object of these attentions. Even before you complicate the modern constructs of "world religions" it is hardly all "Hindus" and "Buddhists" that revere it - just Saivites and a small subset of Tibetan Buddhists, respectively. And when they come together they ignore each other. If it's "common ground," this is hardly seen as important, at best a sign but in no way a constituent of its sacredness. Such religious stories as are told about it aren't about comity either, but about conflict and usurpation: Ravana almost getting away with stealing it, Milarepa evicting the Bön magician Naro Bonchung from it.

Then there is no mountain

Whence, then, this myth? Alex McKay has laid out the components, spanning Hindu, Buddhist, Bön and more modern colonial sources. He argues against understanding the cult of Kailas (which is older and involves several more places than this in the Western Himalaya) in terms of "world religions," starting with the "sanskritization" of those practices too quickly subsumed under "Hinduism." There are stories in ancient texts about a snowy abode of Shiva above two lakes, a source of four rivers. But the people to who actually made their way to this and other Himalayan peaks were "renunciates" outside all formalized "religion." Kailas is mapped onto religions only in modern times, as a British colonial official plans a pilgrimage route to generate revenue in his remote district of the Indian Himalaya. The idea of Kailas as a shared cosmic center comes even later. But the idea of such a place is immediately intelligible. Why? "World religions" discourse constructs religions as isomorphic enterprises. Everyone has heard of the multiple paths to a single summit. And of course colonialism shaped ideas of a "mythical East" attractive in colonial metropoles and peripheries alike. In this context, a western Himalayan hillock's coronation as the most sacred spot on earth seems overdetermined. Wasn't Eden - another source of four rivers - in the Himalaya anyway? (The one who seems to have brought all these together around our peak was the German-born Lama Anagarika Govinda.)

Then there is

The consequence of this might be no more than that some of the travelers to Kailas, gliding in on new Chinese roads, bring with them the baggage not of particular traditions but of a cosmopolitan pluralism. It might not even be a bad thing: isn't it better that religions be thought to be in harmony in this way? Western travelers could stand to learn from the different way in which religious plurality is managed in most Asian settings. And yet (this is where the unsolicited advice comes in) world religion discourse, even in it pluralist form, is not benign, implicitly supporting centralizing and often fundamentalist elites even as it glosses over meaningful differences in cosmology and practice... (I won't go into the ways in which it aligns with the policies regarding religion of the Chinese Communist Party.) Visitors will in any case be coming in ever greater numbers, irrevocably transforming a place once defined by its remoteness. Are there other lessons today's Kailas might teach in the place of the world religion mythology many travelers will bring with them? And not just about historical contingency - which I appreciate only academics take pleasure in.

• What if one made clear that for most South Asians Kailas is part - perhaps not even the most important part - of a complex with Lake Manasarovar, and perhaps with other sites too, like Tirthapuri. This might lessen the charisma of the supposed axis mundi and draw more attention to concrete histories and landscapes, including, crucially, the rivers and lakes intimately connected to mountains.

• What if one laid out its relations and resonances with other mountains, too - other abodes of Shiva, the place of Gangrimpoche in larger Tibetan sacred geographies, regional as well as ritually constructed Kailases? Sacred mountains work in many more, and more edifying ways, than just as single breaks in a horizontal world.

• What if one took the encounter with Kailas as an opportunity to introduce visitors to the dynamic understanding of coupled opposites in Tantra, a pan-religious tradition embracing many of the "Hindu" and "Buddhist" experiences in the region? This could be the start of an understanding of Kailas as not only related to other sacred sites, but as a node in a cosmology of fecund contradiction. Mountains may be conceived as the quintessentially stable features of our world, but mountains in this part of the world change shape, fly...

Each of these would suggest different itineraries for visitors, different places to be shown or told about. A final lesson might be attached to the experience of circumambulation most visitors engage in. (Not all, and even some of these have their peak experience in some contact with the mountain itself...) Going around the mountain, ideally multiple times, could be explained as a ubiquitous practice in South Asian and Himalayan traditions, but it needs to be engaged in actually to mean much. Going even once the circumambulator is impressed by those who move at different speeds (the full body prostrators especially), and by those going in the opposite direction. Going more than once s/he will move beyond experiencing the trip as a discovery, a journey into the unknown, and feel a part of the many who circumambulate here (and elsewhere); they may even realize that the mountain spins.

It's for the individual to decide if the mountain spins or is spun by us.

Meanwhile in the Mojave

California is officially out of drought!

Here's one sign - my mother's photo of a carpet of bloom in the Mojave Desert, which my parents crossed on their way back from skiing in the Sierras... as a new storm promised to add another few feet to the already record-setting snowpack.

Love work

Had the great pleasure of introducing a room full of students to the life and thought of Sally Ruddick today. Feminist philosopher Ruddick was a major presence at The New School just before I arrived, most appropriate to the class, which is called "Women's Legacy at The New School." I framed our discussion by reading through this course description (from 1977), which allowed me to reflect on her work as a teacher (on the work of teachers), and on the amazing things she did in class. In a way, "Philosophical Aspects of Biography" was a sort of precursor to today's class. Both pleasingly and a little disconcertingly, Ruddick's reflections on the difficulty women have taking their work seriously ("the ability to work" in the course description) seemed to the students still entirely relevant. What a privilege to sharie the reimagining of work emerging from her rejection of the gendered work/love distinction:

In college I learned to avoid work done out of love. My intellectual life became increasingly critical, detached, and dispensable. If I self-deceptively denied my desires for the conventional loves of a man and children, I refused even to recognize the loves that work demands in its own name: love for oneself, love for the ideas and creation of others, love for the people one works with, love for the knowledge, change, and beauty that work alone can achieve.

"A work of one's own," in Working it out: 23 women writers, artists, scientists, and

scholars talk about their lives and work, ed. Sara Ruddick & Pamela Daniels (1978), 136

So much love! And this even before we got to Ruddick's most lasting legacy, "maternal thinking." Work shouldn't be loveless, as thinking shouldn't be careless. Failure to appreciate this (too common still) undermines the quality of love, care, work and thinking!

Spring straggles in

Feel the love

In class today, the four students who were able to come to Overlook Mountain on Saturday reported on their experience. It was somewhat different from mine! Where I experienced the forest's gentle molting as a crystal miracle, they described feeling "challenged" by the mountain. "As the ice was melting it came pelting down," said one poetically. Another was hit in the head by a piece of ice. "It felt personal," the first added. Not that they weren't glad to have gone! It was still "another world,"

a taste of "sacrality." Yet what moved them turns out not to have been the mountain but the monastery and the winsome monk who showed us around and led an introduction to meditation. They were charmed (as was I) by his challenging us to stop breathing, an uncomfortable blockage; feeling that pain we could appreciate that our usual regular breathing loves us - defined as saving another from pain. Love!

It fell to me to remind them the lesson extended to the mountain. The monk spoke of the mountain as the source of water (one has a view of one of the city's feeder reservoirs) and air (the trees purify it) for New York, and of the work of prayer flags which, moved by the wind, scatter words of healing not only toward the monastery but toward the animals of the forest. Love is all around, an example for us to follow. It's natural - and as powerful - as the breathing of humans and mountains.

五岳真形图

Tomorrow's session of the Sacred Mountains class starts a brief look at Chinese sacred mountains. Here's a 16th century Daoist talisman of the五岳（五嶽） wuyue showing the "true form" of the Five Sacred Peaks. I've been to one - the Northern Peak 恒山 Hengshan, at the lower left.

Course awareness

Our college is putting together some flyers to introduce the faculty and have asked us for "a fun picture." I'm using this one. A few years old, but definitely fun. I like how it shows me as both inside(r) and outside(r).

Crystal rain

I had a magical experience today. Talking to the director of the India China Institute about the Sacred Mountains course a few weeks ago, I'd said we were doing pretty well considering there were no mountains to hand. What about that mountain above Woodstock, he asked? It even has a Buddhist monastery on it! That's where we were today, though only four of my students made it (another dozen India China Center-related people happily joined). Driving up the steep hillside to the monastery - the bus driver wondered aloud if it was a road that had been build from the bottom or the top, a profound question - the cute hippie village gave way to woods, then snow, then a range of tree-covered mountains half-shrouded in mist. It's not a big mountain but our ears popped! As we arrived at the monastery (the center of the Kagyu school of Tibetan Buddhism in America) it started to sprinkle snow. As we alit from the bus, we noticed that we were exactly at the frost line. The tops of the trees growing around us, and all those up the mountainsides around us, were a gauzy white with hoarfrost.

We went into the monastery for a few hours of lunch, a tour and a talk on meditation, and when we emerged the frost line had risen a lot. We walked toward the summit for a bit (it was too far to go all the way) and I was depressed to observe that the hoarfrost had all melted. But then, as we ascended, strange things began to happen. In the bootprints in the sludgy snow of the path I started to notice tiny glassy ice cylinders - recently fallen from twigs and branches overhead. It sounded like a light rain was dripping on the snow around us. As we went further, it seemed a light big-dropped rain was falling, but it was all ice from the trees. Before we had to turn back we arrived at the magical place. When you stopped to listen, the woods sounded like we were in a rainstorm, even as the light around us showed a brightening afternoon of clearing clouds. A few high branches still glistened like crystal overhead but we'd caught up with the frost line charging up the mountain. I remembered a scene in "The Matrix" where reality crumbles into a rush of digits, but the woods were still there. It felt like something one might be blessed to witness once in a lifetime, but I suppose it happens daily.