Rainy day! I had to take the bus so I had to brave Shanghai's all-Chinese public transit website. (It worked, tho' that's not quite the route the bus took...)
Mark's log of a year in Australia - and its continuing repercussions
Rainy day! I had to take the bus so I had to brave Shanghai's all-Chinese public transit website. (It worked, tho' that's not quite the route the bus took...)
Here's one of the ways 微信 WeChat, China's FB/twitter, works. You invite your Chinese teacher over for dinner and she takes some pictures of your bean chili, as well as of some of the photos you show her on your laptap from last year's Tibet trip. When she gets home she posts them with some flattering words about your prowess as cook and photographer, so you post a half-self-mocking emoticon. She adds a coda: she had no idea an American professor might share her love of snow, highlands and ethnic music; her emoticon weeps with joy. A flurry of emoticons might follow, as well as
assorted humorous
gifs which express more and less obvious emotions. I've been availing
myself of these frequently, since they require less typing (and
vocabulary!), but recently had misgivings. Why assume that the gestures suggest the same thing in China as they seem to to me? I asked a
friend with whom I'd had a particularly vigorous exchange of silly gifs and he said the whole point was that they were vague. As a social media newbie I don't get that part yet.
The structures of liberal democracy seem ill-suited to discern the common good (my term), which might involve, as Bai points out, non-voters such as past and future generations, foreigners, and the environment. Far-sighted and compassionate government is needed; is democracy the best way to get it? I find myself quite sympathetic with many of his arguments; my line has long been Churchill's "democracy is the worst form of government except for all the others"! But his book has helped me see that there's a big difference between seeing government as a "necessary good" or a "necessary evil," the least bad check of flawed humanity and itself requiring constant vigilance since power corrupts. I sigh with communitarians and dream of the former but my instincts are still with the latter. It's rather fun to see a commitment to democracy as harboring the less optimistic view about human nature!
figured out - like how to get invited exotic places to give talks! One thing that I have determined is that in this English-friendly place I need to be forced to speak Chinese, and so - starting tomorrow (really!) - I've signed up for daily Mandarin lessons at a well-regarded school nearby.
The Chinese President recently gave a talk to artists that has been likened grandly to talks by Mao Zedong in 1942: "Socialist literature and art," he said, "must reflect well the people’s
wishes" and should be pretty and patriotic; they should foster "correct" views on Chinese history, nationality and culture, and help "clean up undesirable work styles."
blue one; the curved complex in front of it is Fudan dorms (the tall light blue one is the passport-required foreign students' dorm).You can pretty much see every part of my 10-minute cycle commute here, though my destination is usually the south-facing eighth-floor ICSCC.
Wanting to buy something at the Librairie Avant-Garde as they were closing, I grabbed a set of "hand-drawn postcards" of Nanjing. I'm glad I did, and not just because they're quite pretty (and refreshingly Sun Yat-Senless!). Without indicating it, the artist depicts not just present Nanjing - the towers built for the 2014 Youth Olympic Games, for instance - but past Nanjings, too. The two impressive pagodas, for instance, are the so-called Porcelain Tower (top, green), built in the 14th century and known as the eighth wonder of the world, and Tongtai Temple (bottom, red), built in 521 CE. The thing, though, is that the former was destroyed in 1856. And the latter? It lasted just 26 years, disappearing in 547 CE! What's it doing here? What is this all about? The presentness of history or its irreality in this shattered city?
At Linggu Temple happy coexistence of Buddhist and Communist flags
and some memorials for which two dimensions were too few.
That night I got lost in the shopping mall around the Confucius Temple.
On Monday I went to the vast expanse of the Presidential Palace, seat of China's first Republican government, many of whose rooms have
apparently not been disturbed since (more than a little hard to believe).
Before that it was the center of the Taiping Rebellion: throne room!
The extensive gardens are older still.
But I was most charmed by this humble view in one of the old stables.
In the afternoon I went almost to the end of one of Nanjing's 17 planned metro lines (the rest are already on the map, almost) to the
rather industrial new campus of Nanjing University, to meet a scholar.
one area festooned with scores of red votive ribbons, another
with a misty view of Purple Mountain off in the distance.
Lunch - vegetarian! - was at Jinang Temple, the view of which from atop the ancient city wall is at the very start of this post.
From there I went to meet some French friends, and we took a journey into hell, the Nanjing Massacre Memorial with its vast cavernous museum. This is one of a series of sculptures you pass on your way in. December 13, 1937, Began the inhuman massacre! Unarmed and defenceless civilians, Flee, it implores, the only hope to survive!
Their hotel was just across the street from a famous bookstore, Librairie Avant-Garde, that occupies a whole underground parking garage.
It has treasures from every era, beautifully presented.
And finally home - here the bullet train arrives at Nanjing South Station. 

Scenes from the trip - water and cities to the east, hills to the west.
Nanjing has 2500 years of history, often as the center of things, but its current center is Sun Yat-Sen, founder of the Republic of China. In the buildings around the enormous mausoleum (above) as well as in the Presidential Palace where he briefly held office he is omnipresent in every genre you could ask for. The number of scenes are fixed and rather limited - but in the final hall I saw at the Palace artists had departed from convention and made the religious veneration explicit. I won't bore you with details about these (offered roughly in the order I encountered them), just thank me for not having taken a picture of every one. (No photos permitted within the mausoleum itself.)