After a whirlwind tour of New School history in "DIY Religion" today, we have a session on liberal arts on Wednesday. Nominally it's about our particular college's understanding and practice of the liberal arts, but the momentum of doing 100+ years in 100 minutes today tempts me to be more ambitious. Liberal arts really matter in an illiberal time!
I'm also looking for an excuse to share some images I've recently enjoyed in exhibitions, and some of which the class will have a chance to enjoy too. Here's the first:
These are two panels by Francesco Pesellino, c. 1450, painted for a cassone, a kind of trousseau for Florentine brides. Currently in the collection of a museum in Alabama, they are part of the Morgan Library's exhibition on the Tarot - which we'll be visiting in a few weeks. The seven liberal arts (above) and seven virtues are represented as women; at their feet are associated historical or biblical figures, all male.Who do we have here?
The panel of the virtues places the theological virtues at center: Faith (with St. Peter), Charity (with St. John the Evangelist) and Hope (with St. James the Greater). Flanking them are the four cardinal virtues: Prudence (Solon), Justice (Solomon), Fortitude (Samson) and Temperance (Scipio Africanus). I get all this from a website which informs me also that these panels were once in the collection of one Ludwig Wittgenstein!
These might be a fun invitation to think about what the liberal arts are today, and who exemplifies them... and if there's a connection between the liberal arts and virtue!
Maybe I'll have an excuse to share a contemporary work I just encountered at the Wassaic Project's summer exhibition, Tim Olson's "The Seven Heavenly Virtues at the Seventh Heaven Academy of Beauty" (2025). Painted on glass in fabulous detail (and with the same emplematic objects as Pesellino, if sometimes wittily updated) you'll find again Prudence, Faith, Hope and Charity (above), Fortitude, Justice and (below). The work is a pendant not to liberal arts but to "The Seven Deadly Sins at the Super Seven Motel" (2024).I feel like sharing all of these, old and new, as an antidote to something I'd rather not share, a creepy selection of virtues included in a work showing as part of a Christian nationalist exhibition at the State Department, disingenuously called "Passport to Patriotism: 250 Years of Diplomacy." This is "Valor, Purity, Justice (Old Glory)" (2026). While these virtues are apparently associated with the colors of the American flag, they here look so like something from Fascist Italy it makes my skin crawl (especially the Christian resonances of "purity" - which is conspicuously not one of the classic seven virtues). It's the work of a satirical painter, but the show it's in seems to be as unironic as they come. No doubt they'd place scary white men in front of each of the three droopy white women.As it happens, the forces of darkness are claiming the liberal arts for their reactionary attack on democracy and learning. I call on all the traditional virtues and liberal arts to come to our rescue!





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