 At the Henri Cartier-Bresson show at MoMA (which closes this weekend), I was blown away again by this picture, shot in Sevilla in 1933. At once so three-dimensional - as if a world had broken through the surface of the paper - and also so like a collage, each boy on a different scale and as if cut from another context. There are lots of unfamiliar photos, too, like this one (from Dessau in 1945), to which there can be no words.
At the Henri Cartier-Bresson show at MoMA (which closes this weekend), I was blown away again by this picture, shot in Sevilla in 1933. At once so three-dimensional - as if a world had broken through the surface of the paper - and also so like a collage, each boy on a different scale and as if cut from another context. There are lots of unfamiliar photos, too, like this one (from Dessau in 1945), to which there can be no words. 
