I'm very moved to learn of "Rooted," a monument going up soon in Charlottesville, VA. It will be in the form of a banyan tree, open so that people can move and sit within it, open to the sky and the surrounding park, an invitation to gather, reflect and celebrate.
But this isn't just any monument. It will be made with the bronze used in an earlier statue, which used to organize this space in a completely different way - the monument to Robert E. Lee, erected in 1924, whose proposed removal provoked the "Unite the Right" deadly march in 2017. The statue was finally removed by the city five years ago, who partnered the Jefferson School African American Heritage Center to reimagine the space and its history in a program called Swords into Plowshares.
JSAAHC in turn paired Boston-based non-profit MASS (Model of Architecture Serving Society) with Oakland sculptor Dana King, who "envision ROOTED not as another heroic statue but as an open civic landscape organized around welcome, gathering, beauty, and participation. Rather than asking visitors to look up at history, the project invites them to inhabit it." ROOTED was one of three compelling proposals developed (another of which involved a symbolic tree, too) and the one chosen by the community. MASS chose the baobab "for its life-giving fruit and the symbolism of resilience, interconnection and shared knowledge" - and for its "pan-African symbolism."
“The opportunities like this are extraordinarily rare,” said Jha D Amazi, principal of MASS’s Public Memory and Memorials Lab. “To transform the very material of a monument is to acknowledge that history cannot be erased, but it can be reimagined."
This will be one of a new generation of public monuments which are interactive and participatory rather than static, their meaning formed over time by communities on the ground rather than fixed once for all from above. Explains an article in Architect Magazine, "Rather than designing objects that proclaim a single historical truth, they are increasingly being asked to create places that accommodate multiple histories, invite dialogue, and evolve alongside the communities they serve. The goal is no longer to conclude historical debates but to provide civic spaces where those conversations can continue."
The form of a tree seems especially apposite here, monumental yet alive and changing, and particularly the baobab, known to be a place of gathering. On top of that ROOTED has found a way to make the opened-up tree feel like a community of people, its branches like human arms in a dance of gesture and signification. Its form is fixed, of course - at least the bronze component - but part of its empowering joy will be the awareness that its bronze has been reclaimed from hatred for love.
