Sunday, March 01, 2026
War crime
Tuesday, February 24, 2026
I know what I know, if you know what I mean
At an intimate workshop sharing the "Theorizing Religion" class activities around definitions of religion and the religions of unexpected things like capitalism, academia and fashion, I gave folks a few definitions of religion to chew over. Three were serious, the fourth not so much.
If you don't recognize it, that last one is from the song which VH1 listed as No. 23 of the "100 Greatest One-Hit Wonders of the 80s," Edie Brickell's "What I am" - and was inspired by irritation at a college world religons class! (I used it once before, almost twenty years ago (!).) I told the assembled people I'd included the smile on a dog to keep things light-hearted but after a while noted that it was in the list also as a corrective to the potentially merely anthropological claims of the other three (Tillich, Suzuki, Durkheim). Religion might be a fact not just about human beings muddling along but about the solicitation of the more-than-human world in which we find ourselves.
The event was my contribution to a suite of events around the "Fashion - Faith: Rituals and Dialogues" exhibition, and the conversation my prompts fostered among these fashion-focused students quickly left me behind: wearing something that "just feels wrong," the fate-like power of "trends," the rage for reusing other' clothing, the "transcendent" feeling when wearing and being recognized in the work of a famous designer who just died, the daily "ritual" of dressing, death...
I guess that, contrary to my pious pedagogical protestations, "the religion of fashion" is to me really not (yet) more than a conceit... But the enthusiastic reception of this, along with all the other components of the exhibition, suggest I may have opportunity to learn more. Shouldn't we turn this into a team-taught course, the BFA Fashion colleague who'd had the transcendent experience wondered?
Monday, February 23, 2026
Sunday, February 22, 2026
Saturday, February 21, 2026
Delusions of grandeur
Thursday, February 19, 2026
Get the drift
Mostly people complain about the grimy rests of the past weeks' snows but it occurred to me that they're actually quite beautiful in their own way. Worthy of a Ross Gay "delight practice" gesture?!
Tuesday, February 17, 2026
Monday, February 16, 2026
Sunday, February 15, 2026
Intervention
In today's church bulletin, a copy of a public letter sent by the head of the Anglican Church in Canada to the head of the Episcopal Church.
Our nation finds itself in a "time of distress," he writes, which is "heartbreaking for us, your northern neighbors, to watch." How good to be reminded that other hearts break with ours, see the blessing in our acts of loving resistance. How grateful I feel to read his call to Canadian Anglicans "to continue holding in prayer all of you in this intense, unpredictable season in the life of the United States of America."Saturday, February 14, 2026
Upcycling
Today we had a symposium featuring people whose work appears in the exhibition "Fashion - Faith: Rituals and Conversations," including a panel for us members of the planning team. The symposium ranged widely, as the exhibition does, making a stimulating whole out of what had started as a grab-bag of piecemeal ideas and connections. We heard about young Muslim American influencers and their innovative takes on hijab, the vestments designed for the ordination of Episcopal bishops (including Gene Robinson), an erstwhile Tibetan Buddhist nun's art in body-hugging and inflatable latex, the extravagantly garbed figures of an invented religion called Abwoon Dominus...
Discussion ranged from testimonials to fashion designed by "people of faith" to a young religious studies scholar's insistence that "fashion is capitalism, religion is violence, that's just authentic!" A Japanese priest told us how, when he was doing monastic training, the robes made him feel he needed to get up at 5:30am rather than his preferred 2pm. An older Moroccan woman responded to the presentation of work on new stylish hijabs by reflecting that when she grew up, she envied the women in hijab their freedom not to have to do up their hair, etc.; these young women's freedom is being taken away! In indigenous designer challenged the fashion industry's obsession with "scaling up" but also the expectation that each designer set up their own shop - why not find someone already doing what you're interested in and joining them?I'm sort of hoping this project continues. Not that this phase is finished yet - I'm offering a workshop called "Is fashion a religion" in ten days, assisted by students from "Theorizing Religion." I'll bring from today's discussions a renewed sense that standard understandings of dress in terms of "self-expression" and "being seen" may mischaracterize religious - but also putatively non-religious - forms of attire.


















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