He chickened out, thank God.
Now how do we get him out?
He destroys all he touches, and war crimes, nuclear threats, genocide and the Gaza playbook remain "on the table" for him and his enablers.
Mark's log of a year in Australia - and its continuing repercussions
He chickened out, thank God.
Now how do we get him out?
He destroys all he touches, and war crimes, nuclear threats, genocide and the Gaza playbook remain "on the table" for him and his enablers.
On Holy Saturday no less: blasphemous confirmation, if any more was needed, that this war criminal administration is in fact demonic.
Our weekly Lenten "Poetry & Prayer" gatherings wrapped up this morning with Mary Oliver again, having spent time also with Joy Harjo, Rumi and Christina Rossetti. Today's poem, suitable for Holy Week, was entitled "Gethsemane" (2007).
The grass never sleeps.
Or the roses.
Nor does the lily have a secret eye that shuts until morning.
Jesus said, wait with me. But the disciples slept.
The cricket has such splendid fringe on its feet,
and it sings, have you noticed, with its whole body,
and heaven knows if it ever sleeps.
Jesus said, wait with me. And maybe the stars did,
maybe the wind wound itself into a silver tree, and didn’t move, maybe
the lake far away, where once he walked as on a
blue pavement,
lay still and waited, wild awake.
Oh the dear bodies, slumped and eye-shut, that could not
keep that vigil, how they must have wept,
so utterly human, knowing this too
must be a part of the story.It led to a lovely sharing or reactions, punctuated by sweet silences. We wept with the disciples, and took some wan comfort in the compassion of "dear bodies," "utterly human." Nature doesn't slumber, someone noted, so maybe Jesus wasn't alone in the garden at all.
I was caught on the three "maybes" of the penultimate stanza, which is more fanciful than declarative and speaks the language not of nature but of miracle (not that those are necessarily opposed). If wind can stand still (in the form of a tree no less!) or a lake be still and solid as a "blue pavement," then is there hope yet for "the dear bodies, slumped and eye-shut"? What hope? Is it in the nature of water or wind sometimes to stop flowing and blowing, "wild awake"? Did we know that? Do we know it now?
We know how the Holy Week story ends, but those assembled in the garden didn't. And what is the part of slumping, weeping, poetizing humanity in the story exactly?
So I was grateful and proud to find in the spring hard copy issue of the school newspaper, The New School Free Press, not only well-researched and written articles about our predicament but illustrations that perfectly capture how it feels to be caught in it.
Thank you Dove Williams, Jordan Fong and Zora Edelstein for expressing how much our attempts to figure out what's gone wrong and who's behind it are like something from a police procedural. And thank you Cecilia Yang for capturing how existential proposed and feared changes feel!