Stalactite city

Always stunning, Elmhgreen and Dragset's "The Hive" at Moynihan.

New chapter

I want to mark a tense, surreal moment. 

This is the time in the academic year when past and future are all bunched up with the present. We plan courses for the academic year beginning next fall, based in part on our experience of last year. Meanwhile registration for the courses beginning in January has taken place, and some courses with low enrollments have to be cut. If a cancelled course was to be taught by a full-time or annualized part-time faculty member, they might be assigned to a course originally planned for someone more junior, though this rarely happens. 

This year everything is different. The budget crunch caused by enrollment shortfalls means the threshold for course cancellation is higher (and a final cull of courses not at 75% has yet to take place), and course allocations for academic year 26-27 have been trimmed. But that’s only the tip of the restructuring iceberg. Planning for 26-27 is reeling from the pausing and merging of "duplicative" or low-enrollment programs. Last week we learned that the small undergraduate majors in history, anthropology and sociology have been shut down, their faculty enjoined to work out something more streamlined and attractive to students. Their work, we are told, will serve as a "model" for the rest of the "humanities and social sciences unit." Whatever 26-27 portends, 27-28 will be different again.

And that's not the last of it either. In the coming days, notification of budget crunch-forced "reduction in forces" for full-time faculty will begin, with letters offering "voluntary early retirement" and "voluntary separation." We don't know to how many people these will be sent; nor do we know how many of those offers would have to be taken up to forestall the "involuntary separations" which would otherwise ensue - or what determines who will be affected by each of these measures. Against the backdrop of the unmooring of many departments in the "humanities and social sciences unit," this left many of us heading into the Thanksgiving break not knowing if we were soon to be let go.

I'm not dwelling here on my own case, though I would be surprised not to be getting one or other of the kinds of letters promised for this week. I was already senior enough to be "eligible" for "special voluntary separation" when the university was in the throes of COVID five years ago, and my appointment has never been in a department. I expect wrenching choices in the coming week: leave or stay on a possibly sinking ship which might cast me overboard for ballast anyway? I'm far from the only person contemplating these grim questions, though those of us also responsible for curricular planning are experiencing this uncertainty at two levels. Who will teach in 26-27, and who will be designing the curriculum, if there even is one?

The particularly surreal thing is that I'm drafting the syllabus for what is to be Lang version of the core course for the soon-to-be approved major in Individualized Studies (formed from the coming together of the university's two self-design Liberal Arts majors). A pilot was supposed to run next semester but - ha! - is likely to be cut for low enrollment. 

But it's the content of the syllabus that's making me rub my eyes, as I imagine acquainting students with the history and philosophy of education, broadly understood, and more narrowly construed "liberal arts" in its various forms - all in the context of the charmingly quixotic school in which they're designing their individualized course of study. I'm more sympathetic than many of my colleagues to the direction the university is heading (explicitly and intensively bridging liberal arts, design and performance), and can narrate it inspiringly as a new chapter in The New School's storied history... but will I be the one telling the story?

More anon! 

Last Metro

It's the end of an era: 

My last MetroCard expired today! 

New York City is moving to a new system called OMNY, which works directly from people's credit cards, smartphones and even watches - though there will still be a card version. There will still be weekly cards, but the monthlies I've been using to gallivant about the city all these years seem fated to be a thing of the past.

Nation of refuge

I can't let the prez's profanation of Thanksgiving, indeed of the whole American idea, go unremarked on. Abandoning refugees on the day we remember the Pilgrim refugees? I don't know why two National Guardsmen were shot, but, beyond deep sorrow for these people whose oaths to serve in the nation's protection were being exploited, it almost doesn't matter. The manically xenophobic response has been so disproportionate and so comprehensive that it's clearly premeditated. The white nationalists in charge have been itching to gut even legal forms of immigration, and have been waiting for a chance to unleash their venom. This dreary predictability makes it no less of an outrage.

Chlorofilibuster

Gold rush

It happens every year, but late fall ginkgos can be quite dramatic. (I remember streets of gold from when I lived closer to street level!)

Bootleg

The "Practicing Curation" class has offered "A Bootleg Exhibition of the Orozco Room" in a naturally lit basement room. They hung textile reproductions of the original murals - inaccessible during a long process of restoration - around a seating area to try to recreate the way the murals were part of social life at The New School in its first decades, at least until the yellow curtain era, described in an explanatory pamphlet. 

It's quite successful in its bootleg way. The reproduced murals are even more immersive than the originals, which sit a little higher on the walls and are ventilated by windows on either side of the "Table of Universal Brotherhood." I wonder if it was also intentionally that the murals to left and right were inverted. I know two students in the class, will ask! 

Change of season

Revolving doors

The Metropolitan Museum of Art's great for crazy juxtapositions. Here I juxtapose two already juxtaposed things from recently opened exhibitions on subjects worlds and millennia apart, Divine Egypt and Man Ray: When Objects Dream. Above is an apparently unfinished but much-touched 3000-year-old statue (on loan from the Louvre) of four aspects of the goddess Hathor - a crowned cow surrounded by serpent-, lion- and human-headed manifestations. Entirely unrelated but somehow resonant in my image-saturated mind, Man Ray's 1916 collage-like painting "Legend," source of one of the brightly colored prints in his almost animated 1919 "Revolving Doors" (the exhibit's recreation of which someone kindly filmed). Have these less than nothing to do with each other? Precisely. For good or ill, a museum like the Met functions like a collage, a revolving door, maybe a many-faced goddess.

Redesigning curricular systems and well-being

The liberal arts world is in a tizzy over a proposed reorganization of the College of Humanities and Social Sciences at Montclair State, which would rehome (or perhaps dissolve) nineteen departments in four new schools. Besides the two provisionally-named schools in the rather dark graphic from the Chronicle of Higher Education above (final names to be decided by the faculty involved), there would be

{Human Narratives and Creative Expressions}

English; Classics & General Humanities; Philosophy; World Languages & Cultures; Spanish & Latino Studies

 

{Interdisciplinary Programs and Writing Studies}

BA in Interdisciplinary Studies; Medical Humanities; Gender, Sexuality & Women's Studies; Writing Studies; Language; Business & Culture

The reorganization has been rejected by the Montclair State faculty, their Senate demanding that disciplinary chairs at least be retained. But the plan (led by a professor of Religious Studies, for what it's worth!) has been offered as a way of trying to save these areas of the curriculum which, at Montclair as nationwide, have seen steep declines in majors. Not only students but younger faculty, too, are already more interdisciplinary in orientation, the proposers argue, and might flourish in these new constellations, freed from the drag of departmental structures. But would this be new curricular freedom or just a new kind of constraint, now by administrators freed from faculty oversight?

The question isn't just academic. Similar things are happening elsewhere, including just 20 miles to the west, chez nous at The New School. 

The university restructuring plan, details of which were officially announced in various larger and smaller meetings this week, will see the shuttering, at least as distinct undergraduate majors, of several small social science departments, with the implications of the consolidations of several humanities programs still up in the air. We're told a budget crisis makes already planned changes more urgent than ever, but nobody quite knows what's going on.

Our provost argues that the last nine years have seen an "unnatural stasis" in our "academic portfolio." "Change," he reminds us somewhat oxymoronically, is "in the DNA" of the school! Meanwhile the president argues that a bright new future lies in defining the "distinctive proposition" of a liberal arts college in a university primarily committed to art and design. I'm not averse to such a reorientation (which isn't to say there'd necessarily be a place for me in it) but the faculty as a whole is restive, and anxious for our future. Is the plan really to save the social science and humanities programs or to do them in?

Aflame

Religious revival meeting!

This was the week for the first years in "DIY Religion" to present what they learned from interviewing fifteen of our alums. We have more work to do, drawing some more general conclusions from what were apparently warm and thoughtful conversations; that's work for next week. For this week we basked in the idiosyncratic accomplishments and inspiring ideas of our fabulous alums! 

We got the world religions in there too, somehow - and then some! Our fifteen included folks who've found their DIY way to being a devotée of Guanyin, an Islamic feminist, the director of an avant garde theater company inspired by Jewish textual exegesis, an intimate of Ram Dass, three Christian priests (MCC, Episcopal and... it's complicated), a Radical Faerie, a rap-recording reviver of traditional Taíno language and spirituality and a young Zoroastrian. Wow...!

Fly me to the moon

"It's so cool how faculty advertise their courses here," one of my first years enthused. 

Having done my fair share of flyering in recent weeks, I didn't have the heart to tell her that this is exceptional, a response to the provost's threat to cancel classes which don't get at least 75% enrollment.

Plutocracy blues

Mood these days? Check out this image from this month's cover article in the progressive Christian magazine Sojourners, "The Big Steal: How Billionnaires are Upending our Lives and our Economy."

Passing storm

Between seasons

Govern this!

Not perhaps the best designed visuals for our Faculty Senate-run Governance Day, but it was good to see a significant turnout, and to remember together that higher education is practically unique in being a self-governed industry, at least in part. There is work to do!

Not the least of our challenges - working out who can be elected to represent whom in the new restructured dispensation. Apparently our move to the "two college model" proposed by the president "as thought-starter only" at the start of the summer is as good as decided.

Blueskying it

I was surprised this morning by the clear blue reflected in some of the buildings you can see looking down Sixth Avenue toward the financial district. 

This reminder of open horizons in unexpected directions was welcome on an otherwise pretty grim day. 

It wasn't just the November weather, and the daily litany of political lawlessness and economic distress. Some of the details of our university's urgent cost-saving measures became clear today, knock-on effects of enrollment shortfalls that will affect classes and programs and faculty appointments already this coming semester. And all this on top of the ongoing reorganization demanded by structural issues! Higher ed in America isn't well, and we aren't either. 

And then I went to an India China Institute panel discussion on "News Media in an Authoritarian Age," where speakers on India, China and the US described what seemed a shared playbook used by authoritarian regimes across all three countries threatening the freedom of the press and the livelihoods - and lives - of journalists. The moderator observed, ruefully, that when ICI was started two decades ago, one would not have expected the three countries to be on a continuum like this.

The only reflected blue was the India speaker's confidence (based on the aftermath of the press repression of the Emergency) that the "hunger for truth and debate" cannot be extinguished, and only grows in times of propaganda and censorship. Once this authoritarian phase is over, that hunger will call into existence vigorous new forms of investigation and dialogue. May it be so, and soon!

Exhibit A

In "Theorizing Religion" today, students had 20 minutes to design a non-ideological exhibition on world religions. We'd all been to see religion-related exhibits at the American Museum of Natural History, and taken a virtual tour of the Museum of World Religions in Taiwan. We've also read critiques of the very category of "world religions." But it's easier to poke holes than to build up. If given the chance to design an exhibition of their own, how would they avoid these pitfalls? 

I suggested it would be good to agree on the kind of space to fill and someone suggested a circular hall, which I gave a single entrance.

Twenty minutes later we had three compelling and compellingly different exhibitions. One let viewers choose whether to start with "Practices" or "Death, Rebirth, Afterlife," or head straight toward "Divinity, Higher Powers," or intervening shows of texts and places of worship - each a medley of multiple traditions. In the middle of the room is an area for sitting and engaging the other senses, from scent to sound. Entirely optional pamphlets with analyses by scholars and theologians are available as viewers enter. The space has a dome-like ceiling across which various cosmic and celestial images play.

Another group imagined a constantly changing space, with semi-translucent screens hanging from the ceilings which viewers can move around at will. Each screen carries images of various elements of traditions and practices from around the world on both sides, photographs as well as artworks, some moving, which each viewer encounters in a different maze-like configuration. It is hoped that viewers feel free to rearrange images. Near the center of the space is a spiral staircase to a platform from which viewers can watch the constant dance of images and people below. The students also added new doors: the exhibit can be entered and exited from any side.

A final group went in the opposite direction. Visitors to "PATH" traverse a single tunnel-like trajectory, and see exactly the same things as every other visitor, in exactly the same sequence. On the way into this labyrinth, they see art works inspired by religious experiences, arrayed chronologically. No work is marked in terms of ethnicity, nationality or geography, but mixed among the works are descriptions of historic overlaps. At the labyrinth's center, viewers arrive at the present day, then wind their way out, this time encountering videos of contemporary phenomena. Images would again be hung from the ceiling, allowing viewers to see the feet of other visitors to the labyrinth. 

Which would you like to visit - or curate? 

Fenced off

Makes a cool picture, though... 

Autumnal apparitions

Native and interloper, at Blauvelt State Park, each a little otherworldly

Windfall

It's called "red maple" for the stems, not the leaves, dontcha know

Walled garden

 

Seen from above you almost don't notice the trees are now off limits

Sudden shower

There's a gorgeous arboreal cover on the newest New Yorker, Sergio Garcia Sánchez's Hiroshige-inspired "Sudden Shower." 

I love how the tree keeps growing upward and out of the frame on the right, too venerable to be concerned with symmetry. It must have been drawn from life!

The people still speak

Forbidden garden

We received word today that the Lang courtyard will be closed off for three to four months due to facade repairs and renovations. In the next days, barriers will block ground-level access, leaving only window views.

Canonize this!

For the Feast of All Saints, behold this glory, a new work of the queer Episcopalian illustrator Andrew Freshour, "Jesus Christ and the Saints."

In total, I painted fifty saints. It was quite the journey picking them all. I included saints from the Anglican/Episcopal Church, Lutheran Church, Roman Catholic Church, Eastern Orthodox Church, and various Protestant reformers. I also added important Christian civil rights activists and martyrs, like MLK Jr, Jonathan Daniels, and Matthew Shepard.  

I think I've puzzled out another dozen. How many can you divine?

November!