Kusama Yayoi, "Phallic Girl" (1967) with other mannequins; Rigoberto Torres, "Shorty working in the C. & R. Statuary Corp" (1985); a naughty but somehow not malicious juxtaposition of a German Shrine of the Virgin (1300) and Damien Hirst's "Virgin (Exposed)" (2005), itself a take on a famous Degas sculpture of a young ballerina on view nearby.
John De Andrea "Self-Portrait with Sculpture" (1980) won't let you go; the huge Nellingen Crucifix (1430-35) with four of Lucia Fontana's heart-breaking "Crocifissi" (1948-55); Gregorio Fernández' glass-eyed "Dead Christ" (1625-30) and Alison Saar's metal-plated "Strange Fruit" (1995).
Louise Bourgeois' unnerving "Three Horizontals" (1998). Perhaps my favorite of many sly juxtapositions was Elmgreen and Dragset's 2012 "The Experiment" (the boy is looking into a mirror) with a c. 1625 Spanish or Mexican "Child Jesus Triumphant" (more divinely garbed than most of "Heavenly Bodies"). And the exhibition ends with Australian Ron Mueck's characteristically powerful "Old woman in bed" (2000).