Tuesday, August 31, 2021
Tendrils connecting
Sunday, August 29, 2021
A kind of memoir
In our one on one meetings on Thursday, two of my first year students mentioned John Green's The Anthropocene Reviewed, a title I'd seen but not followed up, so I took advantage of Amazon Prime and got myself a copy I could brandish when class officially begins Tuesday. (It's even signed!)
Green, Wikipedia helpfully informs me, is "an American author and YouTube content creator." He's written bestselling books, several of them for young adults, and with his brother Hank created a small menagerie of more than a little hyperactive geeky YouTube programs. (I've seen some.) More recently he created a monthly podcast for WNYC called "The Anthropocene Reviewed," with a much more laconic style, and it's a condensation of these podcasts which appeared in book form a few months ago. I'm a latecomer to his prolific multi-platform oeuvre, and arrive just in time for something of a shift.
This latest project, Green tells us, was an attempt to share more of himself. The project riffs on a remark made by his wife Sarah about the reviews which have become ubiquitous online.
She explained that when people write reviews, they are really writing a kind of memoir - here's what my experience was eating at this restaurant or getting my hair cut at this barbershop. (6)
One of Green's first jobs was writing 175-word reviews for BookList, so this is a kind of return. Also from BookList, but in conversration with all those online reviewers, he's ended each of his brief chapters with a score from 1 to 5. But unlike in his BookList days, these judgments are explicitly personal: memoir. Sarah also observed that in the Anthropocene there are no detached observers, as the earlier kinds of reviews like BookList's imagined, just participants. The score isn't intended to decide for us but to invite us to experience things for ourselves.
You get a sense of the sorts of things reviewed from the first few - "You'll never walk alone," Humanity's Temporal Range, Halley's Comet, Our Capacity for Wonder, Lascaux Cave Paintings, Scratch 'n; Sniff Stickers, Diet Dr Pepper, Velociraptors, Canada Geese - but not for the little ruminations they inspire, which include personal anecdotes, unexpected histories, quirky factoids, and perfectly placed nuggets of wisdom from luminaries. How poignant is the thought that our young species is wiping out species many times its age? That, having discovered that our breathing damages them, we agreed to close the Lascaux caves and created a simulacrum next door? That Canada geese are thriving, in part because the seeds of Kentucky bluegrass we cultivate in all our lawns are a favorite food for them? That Scratch ' n' Sniff stickers, which never quite smelled like what they claimed to, might outlast the things they don't quite smell like? "Canada Geese," by the way, was the start of the project. He'd written a "review of Canada geese" as a lark and told his brother about it. "Hank said, 'The Anthropocene . . . REVIEWED.'" (5) And John was off. His working definition of Anthropocene, incidentally, is a lived paradox.
I wanted to understand the contradiction of human power: We are at once far too powerful and not nearly powerful enough. We are powerful enough to reshape Earth's climate and biodiversity, but not powerful enough to choose how we reshape them. We are so powerful that we have escaped our planet's atmosphere. But we are not powerful enough to save those we love from suffering. (6)
But as an individual I don't feel that power. I can't decide whether a species lives or dies. I can't even get my kids to eat breakfast. (58)
The essays - I've only read the ones I mentioned and a few near the end - are essentially personal essays. Green marshals considerable erudition but wears his knowledge lightly. When a great insight appears, it's always credited to someone else - like Sarah or Hank - and the modesty seems genuine. He has a good eye for suggestive and resonant images and anecdotes. And, so far at least, he likes what he writes about. The scores of those first chapters, respectively, are 4.5, 4, 4.5, 3.5, 4.5, 3.5, 4, 3 and 2. At the book's end he makes clear that what he's exploring and sharing is his love for the world, something he tells us he came to only reccently. Also at work is what he calls radical hope. Overwhelmed though we are we mustn't despair.
For most of my life, I've beleived that we're in the fourth quarter of human history, and perhaps even the last days of it. But lately, I've come to believe that such despair only worsen our already slim chance at long-term survival. We must gifght like there is something to fight for, like we are something worth figfhting for, because we are. And so I choose to believe that we are not approaching the apocalypse, that the end is not coming, and that we weill find a way to survive the coming changes.
"Change," Octavia Butler wrote, "is the one unavoidable, irresistible, ongoing reality of the universe." And who am I to say that we are done changing? (20-21)
In a postscript he mentions that the title of the German translation of the book is Wie hat Ihenen das Antrhopzän bis jetzt gefallen? (How have you enjoyed the Anthropocene so far?) and runs with it. That the book appeared in translation first is the sort of chronology-defying twist he specializes in.
How have I enjoyed the Anthropocene so far? It is wondrous! In high school, my best friend, Todd, and I went to the dollar movie theater every Wednesday. We watched whatever movie was playing on the frigid theater's single screen. Once, a werewolf movie staring Jack Nicholson and Michelle Pfeiffer played at the theater for eight straight Wednesdays, so we watched it eight times The movie, which was terrible, got better and better the more we watched it. ...
How have I enjoyed the Anthropocene so far? It's awful! I feel that I am not evolved enough for this. I have only been here for a little while, but already I have seen my kind extinguish the last remaining member of many other kinds ... "I smell the wound and it smells me," Terry Tempest Williams writes in Erosion. I live in a wounded world, and I now I am the wound: Earth destroying Earth with Earth. (273)
You get a sense of his wry style, tenderness and unassuming eloquence.
But I had to see how the German edition of The Anthropocene Reviewed - it's been out longer than the English one - was reviewed. What would German book reviewers make of this scattershot essayistic episodic project? After initial misgivings at the seeming crassness of the scoring at each chapter's end, the reviewers seem all to have been won over by the profundity of the book's lightness. Many play along and give it a score, 4 or even 5.
I'll need to read more, but for now I find myself intrigued by something I haven't encountered before: an engagement with the Anthropocene that's entirely outside the world of academia (or art or religion). The materials I'm familiar with are urgent and impassioned, high-minded debates about what the Anthropocene is, what it means, who is responsible and what is to be done. This is something entirely different. The 1 to 5 scoring seems like a bemused, even consumerist stance detached from the world, but in Green's use is really an effort at sustaining a grounded and hopeful participation in it.
Saturday, August 28, 2021
Vitrail
Friday, August 27, 2021
Springs eternal
American teenagers, a Washington Post - Ipsos poll has found, are hopeful about the future! This optimism confounds me. I see entrenched and widening inequality, precarity, and political stalemate in the face of existential challenges like the climate crisis. Are their hopes symptoms of dysfunction or advanced reports of new worlds already coming to be?
Thursday, August 26, 2021
Back to school
After the group discussion I met with each of them for 15 minutes and, if at the start I looked like the perky spiffed up Gnarls (above), by the end of it I was wiped out. Part of it, undoubtedly, was the effort of communicating through masks - speaking as well as listening. But it dawned on me that another part was the information overload of all of the students which wasn't masked, all those bodies in space, clothes, bags, shoes, movements... I've always been bemused by the specious specificity of the claim that it's "93% of communication" but I guess I'm intoxicated by the rush of the nonverbal.
Wednesday, August 25, 2021
Transitions
Tuesday, August 24, 2021
Book binding
Back in my office again, after more than a year - and not just for a fleeting visit! This panorama makes the walls of books seem a little more oppressive than they were... It might just be that the trees in the courtyard have grown to fill the window? But I admit it was a vertiginous experience. I realized I've not been in the presence of so many books in a long time, not to mention books I once knew!
Monday, August 23, 2021
Sunday, August 22, 2021
Precipitous
Saturday, August 21, 2021
Friday, August 20, 2021
Cleared to enter
I headed down to school today thinking there was a chance our building might be open. It wasn't, but I was able to confirm my vaccination and testing permissions were in order and enter the University Center, where I had the Faculty Lounge all to myself. It's a little overwhelming to think about all the spaces that have stood empty for more than a year filling up again with voices and bodies.
Thursday, August 19, 2021
Flood flash
My enthusiasm over Jeremy Davies' take on Noah's dove led me to an exciting new study of the importance of Noah's flood to emergent western thinking about humanity's place in the planetary environment.
After the Flood confirms something I'd ambiently known - that the Flood was understood by many European thinkers in the early modern period to have been the cause of great natural devastation - and spells out its new salience for the challenges of our own time. 16th-18th century debates about the Flood make it a kind of precursor to the Anthropocene discovery of the human species as a geological, planetary agent. The "age-old humanist distinction between human history and natural history" which Dipesh Chakrabarty thinks the Anthropocene disrupts isn't that old; in Flood narratives, the two are closely entwined, natural disorder the consequence of human acts.
But Lydia Barnett goes further. The idea of humanity as a planetary force emerged as a by-product of debates between and among Protestants and Catholics over questions about sin, salvation, and free will. (4) The story of the Flood makes necessary (and possible) a "universal history" of all of humanity and its spread over the whole earth - a history haunted by sin and the degenerative consequences of its punishment. The resulting accounts, speculating about what human bodies were like in Eden, about how the world was resettled after the Flood, and about the great Apocalypse denouement when this story ends served the interests of mission as well as imperialism, and fed fateful ideas of racial difference (the "curse of Ham"?!) and climatic determinism. Discussing the Flood this way was largely abandoned for the three centuries leading to our own time but, Barnett argues, it leaves an imprint on the ways we now fumble to make sense of the Anthropocene. It is perhaps no accident, she suggests, that diluvian language remains pervasive, as in Laudato Si´ description of a world "flooded" with human-caused disturbance. Further,
the images that tend to predominate, at least in popular and public-focused portrayals of anthropogenic climate change, are all of water: of icebergs melting, sea levels rising, waves lapping at the coast, and cities being inundated. This language and imagery, I suspect, derives considerable force from its recollection and reactivation of deep cultural myths about the awesome power of floods to ruin the world as the unintended result of human behavior. (19)
Human beings have not actually been planetary agents before (speaking non-biblically...), but in the "long seventeenth century" some relatively cosmopolitan Europeans imagined such agency. Since some of today's thinking about about our species' new status is probably subliminally guided by the Flood template, we'd do well to be aware of its "baggage."
There's so much to enjoy in After the Flood, not least the vindication of the excitement of early modern history (once my stomping ground) and of the possibility that religious and scientific thinking might be able to work together: when modern thought is ignorantly and ahistorically secularized it becomes brittle and proud.
But Barnett's argument is a little different from what I find myself wanting to argue about pre-Anthropocene imaginings of the entwinement of human and natural history. Naturally the kind of agency the Flood narrative imagines really has nothing to do with the actual agency IPCC reports confront us with; ours is not triggered by some extramundane force putting the kibosh on us, though there are ways its insidious and unintended effect resonates with earlier understandings of sin, and the richer Aristotelian understandings of causality of premodern Europe. Barnett would have us notice both the unexpected parallels and deeper differences such as this as ways of learning to free ourselves from the power of these "deep cultural myths," engaging though they may be.
I'm more inclined to want to reclaim early and pre-modern ideas. We were not "planetary agents" in the Anthropocene sense, but we knew we lived in dynamic exchange and relation with the more than human world. Stories like the Flood were extrapolations from more local experiences of entwinement and the unsuspected consequences of our cupidity. The Flood itself grounds a shared history of humanity in relationship with the rest of life if not the Earth, elaborated in well-intentioned ways by irenic early modern scholars, but it may not be one to reclaim for the reasons Barnett makes clear, and others too: I can't help seeing the post-Flood resettlement of the world as a template for a settler colonial understanding of human (read: European) history reclaiming terra nulls, for instance.
Wednesday, August 18, 2021
Gratte-ciel
Happened to find myself at Columbus Circle this evening, seeing the new crop of super slender luxury towers disappear in the clouds.
Tuesday, August 17, 2021
Full house
Despite anxious concerns from faculty and staff emerging from over a year of homebound contingency planning and worst case scenario-ing, it's all systems go for the new semester, which begins in two weeks. At webinars on safety and on teaching last week, administrative committees confidently addressed all our questions, breezily zipping over the space between questions of whether and answers of how. "Is teaching on campus the safest option given delta etc?" "This is how we'll all return to campus." Students are ready to press play, too. Apparently there's been so little summer melt (accepted students who say they'll come in June but have changed their plans by August) that we're scrambling to find spaces in classes for them all.
Monday, August 16, 2021
PoGitA
The payoff of my "Problem of Good in the Anthropocene" is that something like a problem of evil mindset is among the problems we need to confront, and a problem of good mindset would be not only a good alternative but useful for facing Anthropocene challenges.
What's the problem of evil mindset and what are is problems? It expects order and even takes it for granted and is indignant at its breaching. When disorder arises, it seems an exception either explicable in the particular case or not - in which case it escalates to a systemic question. That abstract description doesn't do it justice but it has the same structure as the mindset I'm calling in question. I don't want to say that at a particular heartbreak people are somehow mistaken to ask broader questions about what's going on, indeed to find their confidence in the whole shaken. Going through the crucible of loss people might change their understanding of the whole... but it won't be through grappling with the problem of evil. More likely will be finding some echo of their grief beyond themselves, in other people or in the more than human world, a discovery more likely to come through lament than through the prissiness of the problem of evil. Fixation on the problem of evil separates the mourner from the affronting world, also separating the lost from the world which it had been part of, a talisman of the untrustworthiness of the world.
What is the problem of good mindset? Amazed and grateful it tries not to take good for granted, something it knows requires some effort. We take order and good for granted not just through habit but because they invite us to. The problem of good mindset knows that breaches in order will arrive, but thinks that focusing only on those moments of rupture is incomplete. Pain and betrayal should make us appreciate shattered blessings even more. The problem is not that a good order is assailed by something outside it, but that good is fragile - and it is fragile because it is good. (I'll parse the relationship with the idea that true good is invulnerable some other time.) Evil is able to compromise and pervert it because of something like the same invitation that leads us to take it for granted. This doesn't make evil any less evil, but it should change our response to evils as well as goods. Greater awareness of the porosity of the good should help us commit more effectively to helping it persist, and may make us more compassionate when it fails. And where the problem of evil cauterizes the wound, separating us and the victims of evil from the world, the attention of the problem of good mindset is drawn to particulars in the miracle of their becomings, becomings which are, given the porosity of the good, always relational.
It is not inured to the pain of evil, nor does it accept it. But it is impatient with a fixation on disappointed expectations and ruptures rather than connections and the discovery of new affinities. To use language from Donna Haraway, the problem of good is about sympoietic ongoingness. And it demands we stay with the trouble.
Dipesh mode
In the book-length elaboration of his influential 2009 essay "The Climate of History: Four Theses," Dipesh Chakrabarty reproduces the original essay, "revised and renamed." Some changes are larger and some smaller, but one of the smaller seeming is large indeed. It involves the very first "Thesis":
Anthropogenic Explanations of Climate Change Spell the Collapse of the Age-old Humanist Distinction between Natural History and Human History
This was the original formulation (2009: 201). Revised (2021: 26), it omits the phrase "Age-old." It might seem no more than a rounding error, it but it betokens Chakrabarty's discovery, over a decade of criticisms and debates, that the "humanist distinction between natural history and human history" isn't perhaps so very old at all. Unchanged is a more cautious claim to long-standing status:
In unwittingly destroying the artificial but time-honored distinction between natural and human histories, climate scientists posit that the human being has become something much larger than the simple biological agent that he or she always has been. Humans now wield a geological force. (206/30)
Chakrabarty's concern is the discipline of history as it developed in Europe, and he traces the distinction to Vico (1668-1744), although he notes Vico's ideas didn't really shape historiography until the 20th century with Croce and Collingwood. Still, it's significant that he casually referred to the distinction as "age-old" in 2009 and then reconsidered.
The much-cited line "Humans now wield a geological force" can be taken in two ways. One, that of the "climate scientists," claims to describe a very recent development: while human beings have shaped our biological environments for thousands of years, we haven't affected the biogeochemical earth system until now. The other way of taking the claim, Chakrabarty's own, asserts that this new status - once recognized - ust scramble all our inherited ways of understanding our place in nature. Never before have we even imagined that the human species might be a "geological agent."
This latter claim turns out not to be true - and the "time-honored" distinction may be no older than, well, the age of the Anthropocene! When did we imagine humanity might be a geological agent before?
A common myth among moderns (who think we make do without myths!) is that premodern people were incurious about the world, chalking everything up to some generic divine plan. But this is how modern people understand divine plans. Early modern and premodern Europeans knew that the divine plan was multifaceted, came in several steps, and had encountered obstacles - and one of these was human. We all know the story that God sent a flood because human sin was too great, and wonder what ancient inundation is recorded in this memory-become-myth. But we have forgotten that the mass of the floodwaters was thought to have reshaped the earth, whose contours and history premoderns, too, used their best available resources to try to understand. It looked disordered to them, and they came to understand it in relation to the human penchant for disorder.
Then as now human beings confronted in geology the sign and effect of their sinfulness. This geological agency was indirect or unintended, of course, but that makes it more, not less, like the agency of which the Anthropocene makes us aware. Perhaps one of the stories we need to tell is how (western) people forgot their potential for wielding geological force! The "age" of this not-so "time-honored" distinction may be that which Bonneuil and Fressoz in ch. 9 of Shock of the Anthropocene provocatively call the Agnotocene, a recent era of produced "zones of ignorance."
Dipesh Chakrabarty, "The Climate of History: Four Theses," Critical Inquiry 35 (Winter 2009): 197-222; The Climate of History in a Planetary Age (Chicago, 2021)
Dry and not so high
The first official water shortage in the Colorado River system has been announced, with rolling consequences for states dependent on its waters. Here's a surreal view from what remains of Lake Powell.
Sunday, August 15, 2021
Graveyard of empires
Saturday, August 14, 2021
Who counts?
Friday, August 13, 2021
Fire and ice
I tore through this book - a new Anthropocene novel which happens also to be authored by a colleague - last week but didn't have a chance to tell you about it. It's terrific, incredibly well written and often outrageously fun. (I wouldn't have throught a "California noir" about the making of a movie, one of whose stars is inspired by Lindsay Lohan, could have captured my interest but I was hooked.) But it also left me devastated in ways I couldn't quite articulate. I can't say much now either without spoilers, but let me say this much. Kleeman doesn't just write snappy dialogue interspersed with pitch-perfect set pieces but has an amazing gift for describing sensory experiences, from sights and sounds to smells and textures - so precise and apposite you realize that we share a sensory world. So when some people in the novel come down with an (of course anthropogenic) illness which destroys their capacity to name and even distinguish their experiences, you mourn the loss of every detail of the shared world her language has illuminated for us.
Thursday, August 12, 2021
Wednesday, August 11, 2021
Through the roof
A fascinating new article by Jeremy Davies, whose work on deep time I already commend whenever I can, offers the story of Noah's Ark as a framework for Anthropocene thinking - but not the Noah's Ark you think you know. Like several other important things, the story of the Flood appears doubled in the Hebrew Bible, and Davies concentrates on the one scholars trace to "J," the "Yahwist." Unlike the other one by the later priestly "P," J's God doesn't undo the very process of creation through the Flood but merely "sterilised" the earth of all life, while saving its essence in the Ark as a sort of seed bank. While P provides details on how the animals will be fed, etc., J's story provides no such detail: time stands still. With Davies' help we understand that being in the Ark was no picnic, but an experience of literally suspended animation. And where P's has a window, J's is just a box with a small hatch on the roof - the one through which Noah, utilizing an ancient navigational technique, eventually lets a dove out to see if land is near. Without even a window, the passengers had no way of seeing what was going on, no horizon.
In order for life to continue, it can't watch from the safety of distance but has to risk part of itself. Davies' article is called "Noah's Dove," because the reconnection to the world comes with the dove's three flights - first, returning with nothing; then, after a week of Noah's care, returning with an olive branch - proof that plants had survived or recovered; and finally, after another week on the Ark, flying away not to return. He makes beautiful poetic sense of this.
A venerable exegetical tradition treats the dove as an archetype of faithfulness. It twice returns to Noah and its mate, in the same way that, as Matthew Henry put it, ‘a Gracious Soul [. . .] returns to Christ as to its Ark’ (1707, s. v. Gen. 8:6–12). And yet on its third flight the dove departs, never to look back. That third flight bears witness to a fidelity deeper than faithfulness: to an affect that penetrates the dove’s being even more deeply, like the fidelity of water to the pull of gravity. The dove is the first creature to fall in love with the postdiluvian world. (344)
Life and the earth belong together, something Anthropocene discussions often bracket or even forget. And our interdependence on other forms of life isn't only about us - the dove, without whose aid we might still be in the box, ultimately finds its own home. We belong to the world, a world greater than us. Davies likens the dove to J's God who, once his rage has assuaged by an offering from Noah, decides "in his heart" not again to destroy life, and restores the cycles which weave our lives and the world's together: seedtime and harvest, cold and heat, summer and winter, day and night (Gen 8:22). But this is "in his heart": unlike P's Noah, J's Noah isn't told.
Tuesday, August 10, 2021
Monday, August 09, 2021
Burning house
Images of a house burning, and burnt, by the still roaring Dixie Fire two weeks ago - part of a spread of fire pictures from California, Turkey, Greece and Russia... Just in time for the newest IPCC report, released today. The Times' laconic title: A Hotter Future is Certain, Climate Panel Warns. But How Hot Is Up to Us. IPCC's home page features art by Alisa Singer called "Changing."
Sunday, August 08, 2021
Don't be that person
As seen on the New York City subway, a message which more parts of the country need to hear. Other slogans in the same series: Masks are like opinions: everyone should have one and I care for you; you care for me and my favorite Save the life of someone you don't even know.
Saturday, August 07, 2021
Not named for me
I'm rereading an early classic essay on - against - the Anthropocene, Eileen Crist's 2013 "On the Poverty of our Nomenclature." The essay refuses the name on the basis that it accepts as fact what is really a normative matter: human dominion over the rest of life on earth. What right have we to claim such dominion? "Anthropocene" discourse makes a fact of what should really be challenged, allowing us to imagine only better and worse forms of dominion. It won't even let us consider renouncing dominion for something better. It's a prophetic provocation, and I find I needed its reminder that "Anthropocene" has a fatalistic acquiescence in human (mis)rule built into it. (It redoubled my intention for the upcoming first year seminar on "Anthropocene Humanities" to end with new work on kinship with other than human nature, about which more anon.) I'd forgotten also where Crist's fussy-sounding title comes from - Henry David Thoreau's indignation, in Walden, at the presumption of a man named Flint who proudly named the pond next to his farm after himself.
Such is the poverty of our nomenclature. What right had the unclean and stupid farmer, whose farm abutted on this sky water, whose shores he has ruthlessly laid bare, to give his name to it? Some skin-flint, who loved better the reflecting surface of a dollar, or a bright cent, in which he could see his own brazen face; who regarded even the wild ducks which settled in it as trespassers; his fingers grown into crooked and horny talons from the long habit of grasping harpy-like;—so it [Flints’ Pond] is not named for me. I go not there to see him nor hear of him; who never saw it, who never bathed in it, who never protected it, who never spoke a good word for it, who never thanked God that he had made it.Friday, August 06, 2021
Ghostly
Some spectral sights on a swing downtown: Maya Lin's "Ghost Forest" of dead trees in Madison Square Park, which oblivious New Yorkers took in their stride, dead trees making for better sunbathing. And a play of reflections in the entrance to Lang, unused since last March but re-opening soon!
Thursday, August 05, 2021
FISP plus
Busy day of façade work on our building. The co-op board's decided to get ahead of the next round of required inspections, too, so on all sides teams of workers have been taking out and later replacing bricks which might come loose some day. All for the best, no doubt, but it made for a dentist-like experience of drilling...
Wednesday, August 04, 2021
Gallery view
This cartoon from the latest New Yorker, by Leise Hook, perfectly names (frames!) the zoomiform world which has become our default.
Tuesday, August 03, 2021
PoGitA 2
Monday, August 02, 2021
(may change!)
The new semester begins four weeks from today! My syllabi are far from finished, though this one - for Theorizing Religion - looks more naked than it is: I'm transforming it from a twice-weekly to a weekly class. Meanwhile guidance of various sorts is starting to trickle in - it'll become a torrent soon enough. Here's a snibbet of the latest:
Sunday, August 01, 2021
Spaced out together
I ushered at church today, so got the wide view - more than the livestream can show. Summer congregation size allows for generous spacing, and the pallets of food for the Pantry Program fit right in, offering no obstruction to the glorious sound of the organ and soloist.