Wednesday, January 12, 2022

Metaforce

As for most Christians I know, the Book of Revelation a.k.a the Apocalpyse of John is a topic I avoid. Along with earlier worthies like Martin Luther we wonder if it belongs in the canon of scripture at all and effectively act as if it didn't. We cherry pick a few phrases from the fuzzy finale - "A new heaven and a new earth," "and God shall wipe away all tears from their eyes" (Rev 21:1,4) - while secular culture runs with the "four horsemen of the Apocalypse" and the "seven seals." The rest is left to crazed fundamentalists who think we live in the End Times, or want to.

But the times we're living in, if not the End of the World, seem increasingly "apocalyptic." The term has become a staple of climate journalism. And we know in our bones things are likely to continue in that direction. The brilliant process theologian Catherine Keller's written a book to remind us that "apokalypsos" means not ending but disclosing - revelation - and shows that we're better off not ignoring but facing the final book of the Christian canon. Or even claiming it. 

Keller wrote about the Apocalypse earlier in her career, chronicling the often hideously misogynistic ways in which it became a "self-fulfilling prophecy" for the worst kinds of conflict and violence, but sees it differently now. Revelation has inspired horrors but it has also inspired utopias. Further, its seeming acceptance of the need for world-ending violence needs to be understood in the context of imperial domination: John of Patmos didn't start the violent fantasies but was working through the accumulated trauma of centuries. Haunted by more recent and ongoing trauma, we might find inspiration in his "dreamreading" of his time. Indeed, like it or not, the ways we are haunted by it are often Revelation-formed. Its metaphors have proved so powerful they're better described as "metaforce." They can't be escaped, but can be faced. And, in John's struggles to find hope in his hopeless times, we might even find sustenance too.

To my considerable surprise, I found sustenance. There's something liberating about allowing oneself to admit that the history unfolding around us feels like waves of murderous horsemen, seals, bowls of wrath. Keller explores how the horsemen seem to be predicting the ecological crisis, as lands burn and seas die, how the "whore of Babylon" seems to anticipate global capitalism. Prophecy, she reminds us, isn't predicting (let alone knowing) the future but discerning abiding "cultural patterns." (As a process theologian she thinks even God doesn't know, let alone predetermine what happens.) There's something strangely consoling in this recognition that cascades of calamity are not new, that deadly patterns might yet be discerned in our travails and perhaps transcended.

And once you allow yourself to read the text, it turns out to be even weirder than we could imagine. It wildly outstrips not just our cherry-picking but that of those reading the "signs of the times" in anticipation of Armageddon and the "Second Coming" (a phrase which occurs nowhere in the Bible). Indeed, it's fabulously queer! The one who descends from the clouds at its start, for instance, isn't anything like white supremacist Jesus but looks more like Wole Soyinka - clouds of white hair and copper-colored skin - with breasts. The woman clothed in the sun isn't Mary but ancient Sophia, Egyptian Isis. The four beings who resemble animals and a man, traditionally read as referring to the four Evangelists, instead seem like reminders of what Keller and some of her colleagues at Drew call "divinanimality." PS We're animals, and - coming third - not the most important. And so on. The text remains a source of profound discomfort, but one which goes deeper and points farther than the blood-thirsty world-hating fatalism of the text's most vocal fans.

And then there's the end, when God - again everything but a a bearded white guy - "makes all things new," not new things. The "new heaven and new earth" don't replace the existing one, after dispatching it in wave after wave of genocidal ecocidal violence. The waves of violence come from us (not a few from people thinking they're acting out the script of Revelation...). Instead, when the time is ripe, God comes to earth, eliminating the distance between heaven and earth that has inspired such creation-condemning theological mistakes, in a cosmopolitan city with no need for a Temple. It sounds truly dreamy. (It's also apparently an enormous cube...)

At the center of the new Jerusalem, you know, is the tree of life. But of course it's a little more complicated than that. 

Then the angel showed me the river of the water of life , bright as crystal, flowing from the throne of God and of the Lamb, through the middle of the street of the city. On either side of the river, is the tree of life with its twelve kinds of fruit, producing its fruit each month; and the leaves of the tree are for the healing of the nations. (Rev 22:1-2; qtd. 173)

Keller will dream read the fragrant leaves in terms of indigenous medicine dances for the diverse community, but first she notices a textual oddity. How can one tree be on boths sides of a river? It might be what's called a collective singular, as when one says "the oak thrives on our campus" (175); is the city really a forest? Keller's more taken by another possibility, the "collective singular" of a woods that's all one tree, like the Pando populus, the 100-acre aspen grove in Utah whose thousands of trees are all linked by a single root system at least 80,000 years old. Perhaps the tree of life is a similar rhizomatic system. It resonates with Process theology, which "envisions a cosmos arising moment by moment out of the relations between every register of existence." (176) Keller's Revelation discloses the possibility that ultimately all are part of a "plurisingular Tree of Life." 

It's a terrific book and makes possible - makes necessary - a rereading of Revelation. The biblical book is fearful but it doesn't give the last word to the theologically conservative. It does go somewhere different than the God-is-love theology of the other John; there's as good as nothing of love in John of Patmos, Keller notes. But it doesn't suggest that the Christian God is, after all, a God of judgment and vengeance - indeed, one who planned or permitted a catastrophic end for this creation in which all but a handful of creations would be gorily destroyed. What a relief to find nature and God not cursing but grieving, and calling us to mourn and rage with them, at the horrors humans have unleashed on each other and the world! 

The Apocalypse of John doesn't predict a cataclysmic comeuppance for humans who loved the world too much. In its sights, rather, is an end to division, exploitation, imperialism and estrangement from the rest of creation. But first we need to recognize the power of its "metaforce" even for those who don't want to face it - a metaforce more likely to create havoc than healing if not recognized. Read with Keller, the Book of Revelation doesn't promise a happy ending, but it offers the possibility that this is not the end. 

Catherine Keller, Facing Apocalypse: Climate, Democracy, and Other Last Chances (Maryknoll, NY: Orbis, 2021)